Scene setting: The New York Hilton Midtown seemed like an unusual choice for a fashion show venue, but upon entering its ballroom — apparently the largest in the city — it became clear why. The light blue walls lined with white mouldings, the crystal chandeliers, and the curved, gold railings were a complementary backdrop to the label’s elegant collection.
Best in show: If there’s one thing Sies Marjan creative-director Sander Lak knows, it’s how to use colour. While there was no uniform colour palette throughout the show, that didn’t matter. The easygoing, diaphanous looks still formed a cohesive collection. The loose, asymmetrical duck-egg blue trench and the opening look — a billowy mauve matte top and silk maxi skirt — were two of the best.
Finishing touches: Sporty metallic poppers lined a patterned shawl coat, while strategic twists accented a mint green cable knit sweater. Yarn fringe decorated a camel coat, bridging the gap between trench and poncho.
Sies Marjan A/W 2017
Sies Marjan A/W 2017.
Sies Marjan A/W 2017.
Sies Marjan A/W 2017.
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s
