Mood board: Eudon Choi looked to the modernist work of architect and theorist Adolf Loos, whose essay Ornament and Crime advocated clean and smooth lines over surface embellishment. ‘He really eliminated adornment, so we just focused on really beautiful materials and colours,’ Choi explained of the collection, which included a collarless trench coat in black cashmere, a pea coat in vibrant orange leather and a draped navy satin dress with shoulder button detail.
Team work: Choi collaborated with the bag brand Decke on a collection of designs, three of which were available to buy immediately after the show. Featuring metal bracelet-handle details and architectural hardware, the bags were crafted in earthy leather tones. ‘Loos loved using leather,’ Choi explained. ‘The colour palette was inspired by his designs.’
Finishing touches: Loos himself collected sterling-silver and leather goods, and this interest was echoed in Choi’s use of curved metal buttons and rings, which featured on striped shirts, coats and the legs of trousers. Knitwear was also draped around the shoulders, adding a scarf-like layer to shirt and trouser combinations.
Eudon Choi A/W 2017.
Eudon Choi A/W 2017.
Eudon Choi A/W 2017.
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The return of the bullhead: the watch design that refuses to conformLittle known outside of watch circles, but enthusiastically collected within them, bullhead watches have always been divisive. Identified by the crown at 12 o’clock, it made design sense – no digging into the wrist, allowing easier function as a stopwatch - but remains a speciality. But now, the bullhead is back
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Tour Peridot, Hong Kong’s hypnotic new barLocated on the 38th floor of The Henderson, Studio Paolo Ferrari’s latest project is a study in ‘light, refraction, and intimacy’
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Lighting designer Andi Watson on creating Mitski’s sculptural stage for 'The Land'In Mitski’s live show and new concert film, a single beam of light becomes her dance partner. Lighting designer Andi Watson discusses turning shadow, movement and restraint into the architecture of feeling
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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Nicholas Daley's multicultural roots celebrated in London
