Philipp Plein S/S 2018
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter

Mood board: The staging of Philipp Plein’s shows has included hiring New York Public Library and installing a full-size rollercoaster on the catwalk, not to mention appearances from musicians like Chris Brown, Rita Ora, L’il Wayne et al. Throw in BMX riding performers, skaters on marble and gold jump ramps and pyrotechnics and you’re as far away from your comfort zone as Plein wants to have you. It is always a brilliantly brassy affair.
Scene setting: Guests were treated to a bumper car ride replete with Plein showgirls. A spinning custom Ferrari with Plein’s name in flames emblazoned on the hood provided the Instagram story everyone was looking for. The show opened with songs from Grease with the cast decked out in Plein-light bombers and denim. This was followed by a procession of Audis riding on two wheels and a pair of motor-bikes speeding over ramps with fire flames. Then and only then came the collection of retro 50s via 80s looks of both mens and womenswear.
Finishing touches: Plein isn’t a cerebral designer. He is a man whose clothes come with razzamatazz, glitz and grease. S/S 2018 sat somewhere between Quentin Tarantino’s From Dusk Till Dawn, the Fast and Furious franchise and High School Musical. The clothes were faithful to the Plein oeuvre – outré crystal embellished denims, patched bombers, printed t-shirts and crocodile track pants – this time sieved through a much more cinematic, hornier Americana lens. Each of the models walked down the long road-marked catwalk smoking, or with a cigarette tucked behind their ear. But remember kids, smoking kills.
Philipp Plein S/S 2018. Photography: Jason Lloyd-Evans
Philipp Plein S/S 2018. Photography: Jason Lloyd-Evans
Philipp Plein S/S 2018. Photography: Jason Lloyd-Evans
Philipp Plein S/S 2018. Photography: Jason Lloyd-Evans
London based writer Dal Chodha is editor-in-chief of Archivist Addendum — a publishing project that explores the gap between fashion editorial and academe. He writes for various international titles and journals on fashion, art and culture and is a contributing editor at Wallpaper*. Chodha has been working in academic institutions for more than a decade and is Stage 1 Leader of the BA Fashion Communication and Promotion course at Central Saint Martins. In 2020 he published his first book SHOW NOTES, an original hybrid of journalism, poetry and provocation.
-
Saltviga House is an architectural celebration of leftovers
Saltviga House by Kolman Boye Architects ingeniously uses offcuts from Dinesen planks to create a timber retreat on the south coast of Norway
By Ellie Stathaki • Published
-
Paola Navone turns her souvenirs into lottery prizes
Lottery now open: ‘Take It Or Leave It’ – by Paola Navone and The Slowdown with Daniel Rozensztroch – sees the Italian designer offer her souvenirs to the design community in Milan
By Maria Cristina Didero • Published
-
London Original Print Fair 2023: 10 prints on our radar, from Brian Eno to Tracey Emin
As London Original Print Fair 2023 kicks off (until 2 April 2023), explore the 10 prints on our wish list this year, from Brian Eno to Tracey Emin; Mona Hatoum to Harland Miller
By Harriet Lloyd-Smith • Published