Scene setting: Bright lights, red bricks and a wrought iron ceiling defined the industrial environs of the St Pancras Renaissance Hotel's Hansom Hall that together with the show's trumpeting soundtrack welcomed us to Hardy Amies' space race.
Mood board: Creative director Mehmet Ali's spring launch pad was founder Sir Amie's mission to Hollywood (and in turn outer space), where he designed costumes for Stanley Kubrick's 1968 epic science fiction film 2001: A Space Odyssey.
Best in show: The meeting of high-tech utility wear with traditional tailoring, whereby double-breasted suits were styled under spacey anoraks, merging the old with the new, heritage with technology. Also of note, materially speaking: Ali's safety orange hued seersuckers 'filtration rib' tailoring, aeronautic boiler suits and zipper pocketed vests modelled after test pilot garb, along with Ali's laser cut grid patterns that ran the gauntlet of the collection.
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Samuel Collins’ stone sculptures capture the raw and rugged nature of the British landscapeThe British artist and sculptor presents 'Silence Split', a series of stone sculptures which presents an abstract take on the horizontal and vertical landscape
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Houston's Ismaili Centre is the most dazzling new building in America. Here's a look insideLondon-based architect Farshid Moussavi has created a new building open to all – and in the process, has created a gleaming new monument
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A postcard from Irish Design Week 2025How Ireland's collaborative design culture, from Kilkenny's 60-year legacy to island circularity offers an expansive model for the future
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‘Architect of glamour’ Antony Price makes a high-voltage return to the runway with 16ArlingtonFeaturing a runway debut from Lily Allen, the show saw legendary designer Antony Price – best known for outfitting Roxy Music in the 1980s – unite with 16Arlington’s Marco Capaldo on the sensual after-dark collection
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
