’Furnishing Utopia’: young designers reinterpret Shaker style in New York

The aesthetics of the Shakers – a religious community that came to the United States around 1774, the philosophies of which were centred on principles of simplicity, utility and honesty – are often regarded as establishing the first tenets of American design. With Shaker communities largely self-sufficient, and alive and well right up until the 1950s, their handcrafted furniture and minimalist designs have inspired designers and furniture makers around the world.
This week, a group of young designers will stage a showcase of reinterpreted Shaker designs at Sight Unseen Offsite, a curated platform for exciting and emerging design work, in New York City. The group, comprised of 11 international designers, visited the Hancock Shaker Village in Massachusetts and the Mount Lebanon Shaker Museum in upstate New York for a week-long workshop, handling Shaker artifacts and exploring the community’s philosophies and inner workings to produce a new collection of Shaker-inspired furniture.
Each object in ‘Furnishing Utopia’ highlights the influence of Shaker style on contemporary design. From benches and rocking chairs that riff on traditional Shaker style to bent wood baskets and storage boxes by Studio Gorm, an elegant secretaire by Ladies & Gentlemen Studio and a pair of austere candlesticks by Jonah Takagi, the inspiring collection will shed new light on the enduring appeal of Shaker style. The exhibition will be presented as a series of vignettes that evoke the unadorned simplicity of Shaker community life. A catalogue of the products, photographed by Charlie Schuck at the Hancock Shaker Village, will also be on offer.
Pictured: a collection of bentwood baskets by Studio Gorm
Eleven international designers visited the Hancock Shaker Village in Massachusetts and the Mount Lebanon Shaker Museum in upstate New York for a week-long workshop, handling Shaker artifacts and exploring the community’s philosophies and inner workings.
Pictured left: a woven stool by Ladies & Gentlemen Studio. Right: a colourful set of brushes by Zoe Mowat
Each object in ‘Furnishing Utopia’ highlights the Shaker influence on contemporary design.
Pictured: a bench by Studio Gorm
Centred on the principles of simplicity, utility and honest, the collection will shed new light on the enduring appeal of Shaker style.
Pictured left: a broom by Christopher Specce. Right: a collection of wooden boxes by Jonah Takagi
The exhibition will be installed as a series of vignettes that evoke the unadorned simplicity of Shaker community life.
INFORMATION
‘Furnishing Utopia’ premieres at Sight Unseen Offsite on 13 May and will be on view until 16 May. For more details, visit Sight Unseen Offsite’s website
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Photography: Charlie Schuck
ADDRESS
Sight Unseen Offsite
The Grace Building
New York, NY 10110
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
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