Latest articles by Gameli Hamelo
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‘It is about ensuring Africa is no longer on the periphery’: 1-54 Contemporary African Art Fair in London
The 13th edition of 1-54 London will be held at London’s Somerset House from 16-19 October; we meet founder Touria El Glaoui to chart the fair's rising influence
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Journalist-turned-artist Massoud Hayoun considers systems of control in ‘Stateless’
Hayoun’s new solo show at London’s Larkin Durey, considers his rich and eclectic heritage, and his desire to make the world ‘a little more humane’
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Inside Yinka Shonibare's first major show in Africa
British-Nigerian artist Yinka Shonibare is showing 15 years of work, from quilts to sculptures, at Fondation H in Madagascar
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Meet the duo using hair and photography as a medium to consider Africa and the African diaspora
‘Strands & Structures’ makes its European debut at the Open Space Contemporary Art Museum in Amsterdam, exploring social and environmental issues in Accra, Ghana
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Beyond tourism: Caribbean artists reflect on its legacy
'Fragments of Epic Memory' at the Columbus Museum of Art looks beyond the Caribbean's stereotypes
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Don’t miss these artists at 1-54 Contemporary African Art Fair 2024
As the 1-54 Contemporary African Art Fair returns to London (10-13 October 2024), here are the artists to see
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Art futurists go in search of micro-utopias in Nairobi
‘Hakuna Utopia? In Search of Micro-Utopias’ sees Nairobi-based art collective Kairos Futura harness visions of the future to provoke change; artist Ajax Axe tells us more
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‘Humanity is always the centre of my practice': Alex Prager's new work blurs the line between reality and fiction
Alex Prager speaks to Wallpaper* about her new body of work, 'Western Mechanics', which opened at Lehmann Maupin in Seoul
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Artist Abdur Rahman Muhammad reframes the ‘Ghana Must Go’ bag to consider migration
Abdur Rahman Muhammad casts the ‘Ghana Must Go’ bag in oils as a potent symbol of migration in ‘The Allegory of a Seeker’, on view at ADA gallery in Accra
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Elias Sime reflects on the destructive nature of technology in Venice
In his solo show ‘Elias Sime: Dichotomy ፊት አና ጀርባ’ at the Venice Biennale 2024, the artist spotlights technology's destructive nature for humans and the environment
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Group show ‘Constellations’ at Gallery 1957 considers alternative forms of life
Artists reject human dominance in 'Constellations Part 1: Figures On Earth & Beyond' at Gallery 1957’s space in London.
