Osbert Lancaster exhibition
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Daily (Mon-Sun)
Daily Digest
Sign up for global news and reviews, a Wallpaper* take on architecture, design, art & culture, fashion & beauty, travel, tech, watches & jewellery and more.
Monthly, coming soon
The Rundown
A design-minded take on the world of style from Wallpaper* fashion features editor Jack Moss, from global runway shows to insider news and emerging trends.
Monthly, coming soon
The Design File
A closer look at the people and places shaping design, from inspiring interiors to exceptional products, in an expert edit by Wallpaper* global design director Hugo Macdonald.
Truly pithy chroniclers of the modern condition are few and far between. Osbert Lancaster was one such man. Waspish, moustachioed and superficially a paragon of the British architectural establishment, Lancaster was an
illustrator with a sharp eye and even keener wit.
Click here to see more of Osbert Lancaster's work
Cartoons & Coronets, an exhibition at The Wallace Collection in London as well as an illustrated biography of Lancaster's work, demonstrates his aptitude for snappy social pigeonholing, able to name a sub-section of architectural style or new political affiliation with accuracy (it was Lancaster who coined the memorable term 'Stockbroker Tudor' to describe the ersatz medieval mansions that studded the Home Counties, pride and joy of the newly moneyed professional classes). As well as skewering the architectural profession and its pretensions, Lancaster evolved into a famed political cartoonist, a household name in the post-war years.
ADDRESS
Hereford House
Manchester Square
London
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.