Truly pithy chroniclers of the modern condition are few and far between. Osbert Lancaster was one such man. Waspish, moustachioed and superficially a paragon of the British architectural establishment, Lancaster was an
illustrator with a sharp eye and even keener wit.
Click here to see more of Osbert Lancaster's work
Cartoons & Coronets, an exhibition at The Wallace Collection in London as well as an illustrated biography of Lancaster's work, demonstrates his aptitude for snappy social pigeonholing, able to name a sub-section of architectural style or new political affiliation with accuracy (it was Lancaster who coined the memorable term 'Stockbroker Tudor' to describe the ersatz medieval mansions that studded the Home Counties, pride and joy of the newly moneyed professional classes). As well as skewering the architectural profession and its pretensions, Lancaster evolved into a famed political cartoonist, a household name in the post-war years.
ADDRESS
Hereford House
Manchester Square
London
-
A postcard from Dubai Design Week 2025: creativity blooms against a desert backdropThe Emirates may still shimmer with spectacle, but beyond the surface a new generation of creatives is fusing research, heritage and innovation to build sustainable, future-facing practices
-
Carhartt WIP ‘excavates’ the history of its Active Jacket with a monumental installation at Tate ModernConceived by Thomas Subreville’s agency ILL-STUDIO, the immersive installation marked 50 years of the perennial workwear jacket by exploring its ’collective symbolism’ through scenography, video and performance
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma
