Gillian Wearing keeps it in the family at Copenhagen’s National Gallery

British artist Gillian Wearing is famed for work that explores family constructs, challenging traditional and perhaps outdated notions of family and identity. Back in 2008, she delved into the realms of northern Italian family life with A Typical Trentino Family, revealed in the form of a life-sized statue, depicting a real family from the area. She then initiated a similar project, A Real Birmingham Family (2014) just outside of the new Library of Birmingham and depicting two sisters (one of whom is heavily pregnant) along with their two sons.
Coinciding with her first solo show in Scandinavia, Wearing has now given sculptural form to her vision of the Danish family outside Copenhagen’s National Gallery (SMK). The project, titled A Real Danish Family, is a collaboration with SMK, Kunsthal Aarhus and DR, the Danish Broadcasting Corporation. Nearly 500 families of varying configurations from 14 different cities across the country applied to model for her work last autumn, a jury then selected the winning family. The entire process was followed by DR in the form of family interviews, and three exclusive programmes that featured the jury’s deliberations.
Self Portrait at 17 Years Old, 2003, by Gillian Wearing.
Michael, a 29-year-old man born to Danish parents in Italy, and Yenny-Louise, a 28-year-old woman who was born in Colombia, but raised in Denmark with adoptive parents, were crowned as Wearing’s Real Danish Family. The pair met, moved in together, opened a coffee shop and had their baby daughter all within a year, and like many of the families who participated, their story is at once unique and emblematic of contemporary Denmark. Their selection exposes the changes to the nuclear Danish family in the last 20-25 years, questioning whether all constructs that defy the traditional norms are regarded as equal.
Inside the SMK, Wearing’s exhibition, ‘Family Stories’, was a collaboration between the artist, the museum’s designers and RBS Studio. It takes visitors from a darkly-lit space, displaying Wearing’s most famous works from 1992 to the present day, to a noticeably smaller, white-washed room explaining the making of A Real Danish Family. This shift not only serves as a literal representation of important topics that were previously left in the dark and are now being brought to light, but also encourages an open and honest discussion.
By immortalising Michael and Yenny-Louise’s family in bronze, Wearing highlights the enduring importance of family as a social unit, while concurrently portraying the fragility, vulnerability and strength of modern-day family life. A Real Danish Family does not suggest an ideal formulation for the 21st century family; rather, it celebrates the unique story behind each one.
A Real Danish Family, 2017, by Gillian Wearing.
Family History, 2006, by Gillian Wearing.
HELP, 1992-1993, by Gillian Wearing.
I’M DESPERATE, 1992-1993, by Gillian Wearing.
My Mother’s Charms, 2016, by Gillian Wearing, 2016.
Self Portrait as My Father Brian Wearing, 2003, by Gillian Wearing.
Self Portrait as My Mother Jean Gregory, 2003, by Gillian Wearing.
INFORMATION
‘Family Stories’ is on view until 7 January 2018. For more information, visit the National Gallery of Denmark website
ADDRESS
National Gallery of Denmark
Sølvgade 48-50
1307 Copenhagen
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
The world’s most exclusive auto show? The Quail is now a hotspot of high-end car launches
The Quail, A Motorsports Gathering brings a few thousand well-heeled car buyers to a Californian golf course to showcase the latest in luxury and sporting auto design
-
Why everyone in LA is talking about Café Tondo
Helmed by chef Valeria Velásquez and designed by Aunt Studio, this new spot delivers Latin American buzz all day long
-
Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls
How a team of architects from SOM and a group of art conservationists brought New York's grand dame back to her original Art Deco splendor
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touch
A collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
Inside Valdemars Slot, where Baroque surroundings meet contemporary art
This Danish palace has been in the same family for 11 generations; now, its owner has transformed it into a very unique art destination
-
What is recycling good for, asks Mika Rottenberg at Hauser & Wirth Menorca
US-based artist Mika Rottenberg rethinks the possibilities of rubbish in a colourful exhibition, spanning films, drawings and eerily anthropomorphic lamps
-
Kaari Upson’s unsettling, grotesque and seductive world in Denmark
The Louisiana Museum of Modern Art in Denmark is staging the first comprehensive survey of late artist Kaari Upson’s work
-
San Francisco’s controversial monument, the Vaillancourt Fountain, could be facing demolition
The brutalist fountain is conspicuously absent from renders showing a redeveloped Embarcadero Plaza and people are unhappy about it, including the structure’s 95-year-old designer
-
See the fruits of Niki de Saint Phalle and Jean Tinguely's creative and romantic union at Hauser & Wirth Somerset
An intimate exhibition at Hauser & Wirth Somerset explores three decades of a creative partnership
-
Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season
Three different exhibitions at LUMA Arles, in France, delve into history in a celebration of all mediums; Amy Serafin went to explore