Danielle Brathwaite-Shirley confronts gaming, VR and rebirth at Studio Voltaire
Danielle Brathwaite-Shirley has opened her first institutional solo exhibition, ‘THE REBIRTHING ROOM’, at Studio Voltaire, London
‘I always played games,’ says artist Danielle Brathwaite-Shirley. ‘Gaming was something that was always around me. But, to be honest, it felt magical – I had no idea how someone would get Wesley Snipes from Blade into the Blade game. To me, it made no sense. I didn't grow up with a technical background. And so when I started doing art, that was far away from my abilities.’
Brathwaite-Shirley has drawn on this passion for her first institutional solo exhibition at Studio Voltaire, London. Immersive gaming experience, ‘THE REBIRTHING ROOM’, utilises VR technology to pull the viewer into other worlds, exploring different environments in an imagining of the possibilities for Black Trans lives. Players are in control, at the helm of a system exposing their fears and insecurities.
When designing the game, she was keen for viewers to let go of their bodies, fully immersing themselves in a new, digital reality. ‘We're often having conversations, with people saying that the world is holding me back, there are certain limitations that I have that are present. But we'll also talk about some things that we’re doing, like, I'm not getting up early enough, I'm not working on these things, I could be doing extra here. And sometimes it's easier to focus on the larger things than things that you are completely in your control.’
Brathwaite-Shirley addresses this in the game, with players being asked to pick what they’re struggling with – are they scared of failure, or anxious? Or do they have a problem with addiction, or are they always talking themselves down? ‘I know they'll feel they don't want to say it out loud. And that's kind of what I'm banking on,’ she adds.
Rather than the traditional headset, the VR here is in the form of a sculpture that the wearer moves to light up the screens, eschewing the isolated world of the headpiece and forcing the wearer to confront their insecurities in a room full of people who could help them. ‘Something that I always had a dissonance with is that sometimes it feels hard to get into the cracks of your crowd. Because there's that gap between your activity that works up on stage, and the state that they're in when consuming work. For example, when I go to a movie theatre, I'm in a relaxed position, I can eat my popcorn, I can leave to go the toilet, it's very relaxed; even if the film is incredibly intense and has a very specific message, I'm receiving it in the most gentle way I possibly can. But I feel that when you have a work like this, which is very interactive, the environment is also very freaky, everything fits into one, it's a lot harder to just take the work in. You have to chip away at it yourself. And then it chips away at you hopefully, as well. So it's a joint chipping journey.’
‘THE REBIRTHING ROOM’ is at Studio Voltaire until 28 April 2024
Later this year, Danielle Brathwaite-Shirley will have a major solo exhibition, commissioned by LAS Art Foundation, at Halle am Berghain, Berlin
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.
-
Coming soon: a curated collection of all the new EVs and hybrids that matter
We've rounded up new and updated offerings from Audi, Porsche, Ineos, Mini and more to keep tabs on the shifting sands of the mainstream car market
By Jonathan Bell Published
-
Southern Arizona sets the scene for a corking vineyard experience at Los Milics
Los Milics winery, designed by Chen + Suchart Studio, is set among vines at the foothills of the Mustang Mountains
By Sofia de la Cruz Published
-
Spanish design studio Masquespacio's new HQ is a historical mansion bursting with colour
Design studio Masquespacio presents its new home and office, a bold and unique space in a beautifully refurbished historic villa near Valencia
By Léa Teuscher Published
-
Gerhard Richter unveils new sculpture at Serpentine South
Gerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
By Hannah Silver Published
-
London gallery Incubator’s six emerging artists to see in spring 2024
Incubator's spring programme features six artists in consecutive two-week solo shows at the London, Chiltern Street gallery
By Mary Cleary Published
-
Kembra Pfahler revisits ‘The Manual of Action’ for CIRCA
Artist Kembra Pfahler will lead a series of classes in person and online, with a short film streamed from Piccadilly Circus in London, as well as in Berlin, Milan and Seoul, over three months until 30 June 2024
By Zoe Whitfield Published
-
Yinka Shonibare considers the tangled relationship between Africa and Europe at Serpentine South
Yinka Shonibare‘s ‘Suspended States’ at Serpentine South, London, considers history, refuge and humanitarian support (until 1 September 2024)
By Tianna Williams Published
-
Gavin Turk subverts still-life painting and says: ‘We are what we throw away’
Gavin Turk considers wasteful consumer culture in ‘The Conspiracy of Blindness’ at Ben Brown Fine Arts, London
By Rowland Bagnall Published
-
Don’t miss: Thea Djordjadze’s site-specific sculptures in London
Thea Djordjadze’s ‘framing yours making mine’ at Sprüth Magers, London, is an exercise in restraint
By Hannah Silver Published
-
‘Accordion Fields’ at Lisson Gallery unites painters inspired by London
‘Accordian Fields’ at Lisson Gallery is a group show looking at painting linked to London
By Amah-Rose Abrams Published
-
Fetishism, violence and desire: Alexis Hunter in London
‘Alexis Hunter: 10 Seconds’ at London's Richard Saltoun Gallery focuses on the artist’s work from the 1970s, disrupting sexual stereotypes
By Hannah Silver Published