Early beginnings: David Hockney's early drawings on show in New York
David Hockney has long cut a broad swathe through the art world. After all, he’s turned to paintings, photography and even Polaroids along with recently using the iPhone and iPad for his creative endeavors.
Set to heighten his visibility yet further, the New York art dealer Paul Kasmin is debuting ‘David Hockney: Early Drawings’ at his eponymous gallery in Chelsea. On view are 58 drawings and 16 etchings, beginning with artist’s earliest work dating from 1962 following a stint at the Royal College of Art, through the 70s. Staged in collaboration with the London dealer Offer Waterman, this show is a must as a many of the works are from private collectors, and it also includes number of archival photographs.
‘I can't remember a time I did not love David's drawings,’ says Paul Kasmin, who literally grew up surrounded by Hockney’s work as his father John Kasmin served as the artist’s first dealer.
Hockney’s celebrated muse and fashion designer Celia Birtwell, who helped usher in the Swinging Sixties, is portrayed in no less than three drawings, all with a surprising economy of line. Also on view are sketches of the late Metropolitan Museum curator Henry Geldzaher, whose exhibition ‘New York Painting and Sculpture: 1940-1970’ made headlines as the museum’s first American contemporary art show. Sketches of Hockney’s friends, a slew of still-lifes and his early iconic pool sketches get a good airing too.
With Hockney’s oils now fetching millions, this is a rare opportunity to garner a glimpse into his initial efforts on paper.
INFORMATION
‘David Hockney: Early Drawings’ is on view until 1 December
Photography: Dan Bradica. Courtesy of Paul Kasmin Gallery
ADDRESS
Paul Kasmin Gallery
297 Tenth Avenue
New York
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
The McLaren W1 is the latest in the sports car maker's tech-saturated Ultimate Series
First F1, then P1 and now W1, McLaren Automotive reveals its latest limited edition supercar to the world, a £2m concoction of hybrid power and active aero that is, unsurprisingly, already sold out
By Jonathan Bell Published
-
Paul Rudolph at The Met: ‘from Christmas lights to megastructures’
‘Materialized Space: The Architecture of Paul Rudolph’ opens at the Met in New York, exploring the modernist master's work through a feast of an exhibition
By Stephanie Murg Published
-
‘London: Lost Interiors’ gathers unseen imagery of some of the capital’s most spectacular homes
This new monograph is a fascinating foray into the interior life of London, charting changing tastes, emerging styles and the shifting social history of grand houses in the heart of a fast-changing city
By Jonathan Bell Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990s
New York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
By Hannah Silver Published
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black men
The late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
By Tianna Williams Published
-
Intimacy, violence and the uncanny: Joanna Piotrowska in Philadelphia
Artist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
By Hannah Silver Published
-
First look: Sphere’s new exterior artwork draws on a need for human connection
Wallpaper* talks to Tom Hingston about his latest large-scale project – designing for the Exosphere
By Charlotte Gunn Published