Images of architectural icons are common enough; after all, the pioneering British photographer William Henry Fox Talbot snapped Westminster Abbey way back in the 19th century. But now the Yossi Milo Gallery in Chelsea is spotlighting the German photographer Markus Brunetti's highly individualistic take on that genre in 'Facades' – the photographer's first exhibition in the United States – capturing historic cathedrals, cloisters and monasteries throughout Europe. The show deftly demonstrates his dazzling creativity.
To create a single work, Brunetti first snaps upwards of 100 images, focusing on frequently overlooked stone statutes, before airbrushing out extraneous elements like cars and street lights to create a riveting composite image. The detail is starling, with viewers getting to gaze up close at the mosaics tucked under the roofline of the Duomo di Santa Maria Assunta in Orvieto. Elsewhere, lichen is clearly revealed.
Brunetti's vast image archive factors architectural styles ranging from the early Romanesque and Gothic, through Renaissance and Baroque to the contemporary. 'He captures these immense churches – one as tall as 530 ft,' says Milo, who has included an image measuring a towering 10 ft in height in the exhibition. 'This size will immerse the viewer and present the facade in its purest form,' he adds. In some instances, Brunetti also drenches images in a surreal palette, skewing these monolithic structures further.
Consider this show the ultimate walk through the Reims Cathedral and on to Chartres. For those on the other side of the pond, Brunetti's iconic images can also be seen in Axel Vervoordt's 'Proportio' exhibition at Palazzo Fortuny in Venice until 22 November.
His highly individualistic take on that genre in 'Facades' – the photographer's first exhibition in the United States – deftly captures historic cathedrals, cloisters and monasteries throughout Europe. Pictured: Conques, Abbatiale Sainte-Foy, 2012–2014
Brunetti creates riveting composite images from upwards of 100 images, airbrushing out extraneous elements like cars and street light. Pictured: Köln Hohe Domkirche St. Petrus, 2008–2014
Brunetti also drenches images in a surreal palette, skewing these monolithic structures further. Pictured: Magdeburg, Dom St. Mauritius und Katharina, 2011–2015
Milo has included an image measuring a towering 10 ft in height in the exhibition. 'This size will immerse the viewer and present the facade in its purest form,' he says. Pictured: Orvieto, Duomo di Santa Maria Assunta, 2006–2014
Salisbury, Cathedral, 2014–2015
Salamanca, Convento de San Esteban, 2013–2014
Piazzola sul Brenta, Duomo, 2013–2015
Ulm, Münster, 2007–2014
INFORMATION
Copyright Markus Brunetti, courtesy Yossi Milo Gallery, New York. ’Markus Brunetti: Facades’ is on show at Yossi Milo Gallery until 17 October
ADDRESS
Yossi Milo Gallery
245 Tenth Avenue
New York, NY 10001
-
Inside producer Kenny Beats' retro-inspired Los Angeles recording studioDrawing inspiration from the golden era of Motown recording studios of the 1960s and 1970s, Ben Willett’s design weaves in modern influences.
-
Cicchetti Piccadilly is like dining inside a Venetian sunset. Here's what we ateSan Carlo Group’s beloved Italian haunt returns with a glowing new look, just steps from its original home
-
'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice
-
Chiharu Shiota weaves past, present and future at an 18th-century Yorkshire chapel -
The spirit of Ellsworth Kelly lives on in his Austin chapel -
Holy orders: Not Vital’s installation in a remote Filipino province is worth a pilgrimage -
New York minute: Tiffany & Co harks back to its horological heyday for a new collection -
Glass act: nine glass artists create new works within Salisbury Cathedral’s medieval surrounds
