David Totah's NY space presents the watercolours of Lauretta Vinciarelli
Art galleries run in David Totah’s family. His uncle founded the eponymous Edward Totah Gallery in London in the late 1970s and his father started Albert Totah’s gallery on SoHo’s Wooster Street in the 1980s. This past February, Totah opened his self-titled space on Stanton Street in New York’s Lower East Side, which is currently featuring a series of watercolours by the late Lauretta Vinciarelli, called 'Light Unveiled'. Vinciarelli was incredibly active in the art and architectural avant garde community as a professor at Columbia University and as Donald Judd’s partner. In fact, Totah later discovered that she taught the gallery’s architect, Raffaella Bortoluzzi.
Vinciarelli’s watercolours span from 1990 to 2007 and evoke similar boundary-stretching explorations of space, light and dimension as James Turrell, Olafur Eliasson and Dan Flavin. However, her ability to contrast precise lines with colour saturations and gradient washes creates a wholly unique effect.
‘I was particularly drawn to the ethereal aspects of her later works,’ says Totah. ‘Lauretta was too often referred to as Donald Judd's companion of 12 years, or as a much respected professor of architecture. I strongly believe that she transcends those definitions and is a truly iconoclastic artist with an unusual talent to express her internal spiritual journey.’
Totah’s focus on communication and transcendence expands well beyond 'Light Unveiled'; they are guiding principles for his new space, which he plans to grow into a ‘cultural hub’. He recently commissioned painter and street artist Kenny Scharf to create a mural on the storefront’s security gates – a nod to Scharf’s influence in the nearby East Village and Totah’s family (his uncle was familiar with the artist and showed his work). He also built a small stage below the gallery to host talks, film screenings and performance art.
‘We believe in [the] alchemy between artist and gallerist and in its power to give birth to inspiring projects,’ Totah concludes.
Pictured: Red Room Study 4 and Red Room Study 5
Vinciarelli’s watercolours span the period 1990–2007 and evoke similar boundary-stretching explorations of space, light and dimension as James Turrell, Olafur Eliasson and Dan Flavin.
Pictured: Night #9, #5, #1 and #4
‘Lauretta was too often referred to as Donald Judd's companion of 12 years, or as a much respected professor of architecture. I strongly believe that she transcends those definitions and is a truly iconoclastic artist with an unusual talent to express her internal spiritual journey,’ says Totah.
Pictured: Study in Blue, triptych
Vinciarelli's ability to contrast precise lines with colour saturations and gradient washes creates a wholly unique effect.
Pictured: Scharf's right gate design
Totah also commissioned painter and street artist Kenny Scharf to create a mural on the storefront’s security gates.
Pictured: Scharf's left gate design
It's a nod to Scharf’s influence in the nearby East Village and Totah’s family (his uncle was familiar with the artist and showed his work).
INFORMATION
’Light Unveiled’ is on view until 18 September. For more information, visit the Totah Gallery’s website
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
ADDRESS
Totah Gallery
183 Stanton Street
New York, NY 10002
-
Futuristic-feeling Southwark Tube Station has been granted Grade II-listed statusCelebrated as an iconic piece of late 20th-century design, the station has been added to England’s National Heritage List
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
The new Bentley Supersports pares back the luxury to create a screaming two-seaterBentley redefines its iconic grand tourer with a lightweight performance variant that strips out the trim and the tech and adds in refined dynamics and more visual drama than ever before
-
Ed Ruscha’s foray into chocolate is sweet, smart and very AmericanArt and chocolate combine deliciously in ‘Made in California’, a project from the artist with andSons Chocolatiers
-
Inside the work of photographer Seydou Keïta, who captured portraits across West Africa‘Seydou Keïta: A Tactile Lens’, an exhibition at the Brooklyn Museum, New York, celebrates the 20th-century photographer
-
Out of office: The Wallpaper* editors’ picks of the weekFrom sumo wrestling to Singaporean fare, medieval manuscripts to magnetic exhibitions, the Wallpaper* team have traversed the length and breadth of culture in the capital this week
-
María Berrío creates fantastical worlds from Japanese-paper collages in New YorkNew York-based Colombian artist María Berrío explores a love of folklore and myth in delicate and colourful works on paper
-
Out of office: the Wallpaper* editors’ picks of the weekAs we approach Frieze, our editors have been trawling the capital's galleries. Elsewhere: a 'Wineglass' marathon, a must-see film, and a visit to a science museum
-
June Leaf’s New York survey captures a life in motionJune Leaf made art in many forms for over seven decades, with an unstoppable energy and fierce appetite leading her to rationalise life in her own terms.
-
Jamel Shabazz’s photographs are a love letter to Prospect ParkIn a new book, ‘Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025’, Jamel Shabazz discovers a warmer side of human nature
-
The Hammer Museum in Los Angeles launches the seventh iteration of its highly anticipated artist biennialOne of the gallery's flagship exhibitions, Made in LA showcases the breadth and depth of the city's contemporary art scene