Meta data: a new tome celebrates artists who use books as a medium

The book 'Artists who make books' open to show to adjacent pages with colourful art extracts
A spread from Artists Who Make Books
(Image credit: press)

Does printed matter really still matter? Anyone will be quick to tell you that, in the digital age, books are an antiquity soon to be obsolete. But as a new tome by Phaidon demonstrates, the possibilities of books are truly endless.

Edited by Andrew Roth, Philip E Aarons and Claire Lehman, with contributions from Benjamin HD Buchloh and Tauba Auerbach, the book explores the various ways in which 32 artists – including Sophie Calle, Hans-Peter Feldman and Richard Prince – have made their own books.

Starting in 1957, Artists Who Make Books moves through conventional interpretations to more avant-garde approaches to the book format. Among the latter group is the late Japanese conceptual artist On Kawara, for whom artists books were an integral part of his art and thinking, using the form to challenge our notion of documentation, learning and reading—ideas that are all tied up in a book’s binding.

Colourful orange, pink and brown striped front cover of the book 'Artists who male books'

The cover of Artists Who Make Books, published by Phaidon

(Image credit: press)

In his lifetime, he published five epic artist books, each title in multiple volumes, including ‘I MET’, a list of the people the artist spoke to everyday for 12 years, arranged in chronological order. The prolific German conceptualist Hanna Darboven, who considered her art a kind of writing, produced thousands of pages in a similarly eccentric manner, to represent time and order.

Other artists have been compelled by the physical rather than the political nature of books, playing with shape, size and structure, from an accordion-folded pocket sized volume, to a book that measures over a metre, or a book whose microscopic gold print can only be read with a magnifying glass.

There are many other treats for print fans on these pages: such as Andy Warhol’s little-known illustrated cookbook, Wild Raspberries, and Martin Kippenberger’s conceptual series, Don Quixote – cork boxes shaped like books, each containing a single page, and 50 personal photographs.

These books within a book all have one thing in common, however: they are all objects that can be held, coveted and kept – something that can’t be rivalled in the digital domain.

The book 'Artists who make books' open to show two adjacent pages with colourful art extracts

A spread from Artists Who Make Books

(Image credit: press)

Two pieces of art work, Left, T.O.T., 1998, by Martin Kippenberger. Right, Bilder portfolio 1, circa 1968-1971, by Hans-Peter Feldmann

Left, T.O.T., 1998, by Martin Kippenberger. Right, Bilder portfolio 1, circa 1968-1971, by Hans-Peter Feldmann, self-published. 

(Image credit: Courtesy of the artists)

Book opened omto two pages with grey and black blocks artwork

Black Paintings, 2010, by Wade Guyton. 

(Image credit: Courtesy of the artist)

Front and back cover of the book Les Dormeurs by Sophie Calle, laid flat, grey scale, duvet cover and a persons hand poking out of the covers

Les Dormeurs (slipcase), 2001, by Sophie Calle. 

(Image credit: Courtesy of the artist)

The book 'Artists who make books' open to show two adjacent pages with colourful art extracts

A spread from Artists Who Make Books

(Image credit: press)

Book spread open, image of a white car with black centre stripes driving on a road, cloudy sky and surrounding landscape at the side of the road

From a 1998 book by Richard Prince. 

(Image credit: © The artist)

The book 'Artists who make books' open to show two adjacent pages with colourful art extracts

If you really loved me you would be able to admit that you’re ashamed of me. A Projective Identification, 2013, by Bjarne Melgaard and Sverre Bjertnes. 

(Image credit: © The artists)

INFORMATION

Artists Who Make Books, $125, published by Phaidon, available from 23 October

Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.