Into the woods: a timber-clad Swiss home brings the outside in
![House in Rombach, a new family home at the foot of Switzerland's Jura Mountains](https://cdn.mos.cms.futurecdn.net/zmhRK9PLMy49f2yrRFy74o-415-80.jpg)
Switzerland's striking natural landscape offers many picture-perfect views – but Gautschi Lenzin Schenker Architekten's 'House in Rombach' was designed to make particular use of its bucolic setting. Located in a suburb at the edge of Aarau, the capital of Aargau canton, the area's green vistas took centre stage in the design process. Subsequently, the team focussed on creating a generous top floor, from which the owners and their guests can take in the area's picturesque scenery.
The house's location – at the foot of the Jura mountains – and local planning regulations were crucial to the massing's development. The result is an elegant, monolithic block clad in rough, oil-treated Red Cedar planks, punctuated by minimalist, square black-framed windows. The timber cladding's vertical orientation leads the gaze up, adding a lightness to the robust volume. In time, this facade will develop a deep grey patina.
Take an interactive tour of House in Rombach
Designed as a family home, the building can also be divided into two separate apartments, as per the client's request for added flexibility. The structure spans four levels: the ground floor boasts a garage, two bedrooms and two bathrooms, and a spacious first floor factors a master bedroom, two offices, a conservatory, bathroom and games room. A basement level features a cellar and service areas.
However, the structure's top floor is its real showpiece. Spanning the entire level, the space houses a large living and dining room, flanked by two terraces, for increased natural light and ventilation. Raised timber panels, in place of railings, keep prying eyes at bay, while also framing views of the rugged, mountainous horizon and the city's skyline.
Special attention to construction detail ensures the house looks sharp. Wooden grating in Moabi wood on the outdoor areas and a copper sheet roof complement the timber outer skin. Built-in furniture maximises space in the concrete, timber and white plaster interior. The ground level's garage door is carefully crafted so that it blends into the surrounding walls, becoming invisible. Two sets of stairs and a lift streamline movement in a house that already offers superlative grace and functionality.
Sitting in a suburb at the edge of Aarau, the house is designed by local architecture practice Gautschi Lenzin Schenker Architekten
The house's location and local planning regulations largely dictated how its massing developed
Taking that into account, the practice focussed on creating a generous top floor, from which the owners and their guests can take in the picturesque scenery
A series of irregular yet generous openings punctuate the facade, drawing plenty of natural light in
The house's first floor hosts a master bedroom, two offices…
… a conservatory, bathroom and games room
The owners asked for flexibility, so the building can be easily divided into two separate apartments
The ground floor is home to the garage and a further two bedrooms and two bathrooms
The airy, open-plan top floor is the property's real showpiece
Spanning the whole level, the space houses a large living and dining room…
… flanked by two terraces, for enhanced natural light and ventilation
The house is clad in Red Cedar planks. Their vertical orientation leads the gaze up, adding lightness to the strong volume
In time, the timber skin will develop a deep grey patina
Raised timber panels, instead of railings, keep prying eyes at bay
… while also framing views of the rugged, mountainous horizon and the city's skyline
Two separate sets of stairs and a lift help streamline movement around the house
The terraces' wooden grating is constructed of Moabi wood, specially selected to work in harmony with the Red Cedar outer cladding
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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
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