The location for our new March issue men’s tailoring fashion shoot was Gerês House, a horizontally extending monolith thoroughly embedded into a steep slope in the Caniçada Valley in Portugal, designed by architecture firm Carvalho Araújo. Deeply conscious of the landscape, its concrete, wood and glass form fits to the edge of the land like a glove, burrowing its fingers into the earth like the roots of a tree. A landslide destroyed a house previously existing at the site.
Instead of fighting nature, Gerês House seeks to understand it, enveloping a craggy yet defiant stream of water flowing down from the high land into its design, in deference to nature. Conversing with the vocabulary of the house, a concrete structure follows the irregular journey of the stream, pacing its movement, until it bypasses the house and gathers into a small lake at the lower level of the house.
See March issue fashion shoot in full here, shot on location at Gerês House
‘The biggest challenge building Gerês House was to understand how the house could relate to the existing small stream,’ says José Manuel Carvalho Araújo. ‘Because it was a very sensitive place, the house should respect and preserve it, without compromising what the client intended for the house and the land.’
Entering the house on the upper level, with a view over the whole house and site, the inhabitant is welcomed into an open plan design which serves as a living and working space. The client is the owner of window company Otiima (opens in new tab), so wanted to use the house as a showroom for his products and a creative location to meet with clients, employees and artists, as well as a family home. Designed as a social and versatile space, the open plan kitchen and living areas extend outside to a large terrace and also interact with the upper level of bedrooms which extend into the space as a mezzanine.
‘The result was a house that responds to the client's needs and coexists, at the same time, in a perfect balance with the existing small stream, which eventually became an important piece of the identity of the house,’ says Carvalho Araújo.
For more information, visit the Carvalho Araújo website (opens in new tab)
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
Seven new laptops offer power and portability to lust after
A clutch of cutting-edge new laptops was highlighted at CES 2023, bringing new form factors and technologies
By Jonathan Bell • Published
This conceptual pairing of eVTOL and electric superyacht is a new expression of stealth wealth
Silent Yachts has teamed up with British eVTOL manufacturer VRCO to integrate the Xcraft XP4 into the flagship Silent 120 electric catamaran
By Jonathan Bell • Published
This tiny house is the perfect lookout towards the Seto Inland Sea
A tiny house by Schemata Architects looks out towards the Seto Inland Sea
By Ellie Stathaki • Published