Box set: a Marseilles sculpture park is putting the fabulous back into prefab

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The Friche de l’Escalette park presents rare models of futuristic
The Friche de l’Escalette park presents rare models of futuristic habitats from the late 1960s and early 70s
(Image credit: press)

In 2016, Paris-based design dealer Eric Touchaleaume – known for re-popularising the works of seminal European architects and designers of the early 20th century – unveiled the Friche de l’Dscalette, a one-of-a-kind sculpture and architectural park on the outskirts of Marseilles, the French port city on the Mediterranean.

According to its founder, the park was established to ‘protect the poetry of the place, and to foster the philosophies shared by Jean Prouvé, Charlotte Perriand, Pierre Jeanneret, le Corbusier, and the people of Marseilles’.

Following last year’s presentation of demountable Prouvé houses, this summer’s programme has gone retro-futuristic with ‘Utopie Plastic’, a collection of prefabricated houses and other design ephemera from the late 1960s and early 70s.

Futuro House

Futuro House, designed by Finnish architect Matti Suuronen (1933-2013) in 1968

(Image credit: Matti Suuronen)

Among the remarkable structures that have touched down are the Hexacube by Georges Candilis and Anja Blomstedt, originally intended as a part of a mobile beach community; Maison Bulle by French designer Jean-Benjamin Maneval, comprising six bubble-like shells; and the UFO-shaped Futuro House, originally designed by Finnish architect Matti Suuronen as a transportable ski chalet.

The structures, scattered around the site, are complemented by plastic furniture by designers including Quasar Khanh, Wendell Castle and Maurica Calka. Taken together, the exhibition captures the unique application of the quintessential post-war material as well as the utopian spirit of the times. While it wasn’t to last: the idiosyncratic design milieu, which began in the mid-50s, fizzled out following the 1970s oil crisis, the movement has achieved interest and increasing market prices.

After a visit to the park, one can see why these innovative and colorful structures deserve a new life, appearing all the more surreal when set against the park’s agrarian backdrop, which resembles an archaeological dig complete with brick archways, pine trees and crumbling ramparts.

Pavilion-Skulptur II

Pavilion-Skulptur II, 1969/1975, by Max Bill

(Image credit: Max Bill)

Pavilion-Skulptur II

Pavilion-Skulptur II, 1969/1975, by Max Bill; and Futuro House, 1968, by Finnish architect Matti Suuronen

(Image credit: Matti Suuronen)

Interior view of Futuro House

Interior view of Futuro House, of which there are 60 copies across the world

(Image credit: Matti Suuronen)

The Hexacube, 1972, designed by Georges Candilis

The Hexacube, 1972, designed by Georges Candilis (1913-1995) and Anja Blomstedt (b 1937). Candilis was one of the live wires in Le Corbusier’s office, where he worked during construction of the Cité Radieuse in Marseilles 

(Image credit: Georges Candilis and Anja Blomstedt)

The Friche de l’Escalette pavilions by night

The Friche de l’Escalette pavilions by night

(Image credit: press)

The Bulle (pictured in foreground) is an icon of flower power

The Bulle (pictured in foreground) is an icon of flower power, designed by French designer Jean-Benjamin Maneval (1923-1986) and launched in 1968

(Image credit: Jean-Benjamin Maneval)

INFORMATION

The exhibition is on view until 1 October, by appointment only. For more information, visit the Friche de l’Escalette website