Canada House unveils new interiors at one with the Great White North's wild elements

Without a doubt, Canada scored Commonwealth gold when it secured a Greek Revival pile on a prime corner of Trafalgar Square for its High Commission. Flying the maple leaf in the heart of London is advertising you couldn’t buy today; particularly a (politically) small country that does big business in the capital.
Over a century, though the Grade II-listed building became a warren of unsympathetic conversions and cheap carpeting – fine for the parade of flag-embroidered backpackers replacing lost passports, but not much else. When the government sold the High Commissioner’s residence and chancery on Grosvenor Square last year for £306 million, it funnelled some of the earnings into a ground-up renovation of Canada House, joining it to the neoclassical building next door on Cockspur Street to create an 8,000 sq m cultural and diplomatic headquarters. Where the two buildings meet is a new top-lit atrium over a cascading staircase and a feature wall of Canadian hemlock. Welcome to the Great White North.
The architecture practice Stantec, with offices in London and Canada, led the project with heritage architects Purcell, sourcing every hand-crafted furnishing, artwork and piece of cabinetry from the mother country. The new square-facing entrance opens to a broad, vaulted foyer laid with Canadian red oak, decorated with Brent Comber’s cedar-block tables and hung with a light installation by Vancouver lighting company Bocci, designed with amorphous blown-glass ‘57’ chandelier.
Elaborate wool carpets in every room – 13 rooms are named after Canada’s provinces and territories and four after seminal Prime Ministers – were custom-tufted after paintings selected through a cross-country competition. Themes of light, climate and geography are reflected in the icy blues and vivid harvest reds of the wool.
Two years and some £10 million later, the interior holds its own among London’s finest and most fashionable interiors, yet it is resoundingly Canadian. Not in a rah-rah way, but subtly, as is our wont.
Workers had to abseil up the stairwell walls to hang Bocci's intricate '57' chandelier, custom designed
The glass-topped cedar coffee table in the British Columbia room is . It's surrounded by Rimerschmid sofas by Bombast Furniture. The chandelier is by Propelior and the custom rug by Lesslie
In the office area, a pair of Nienkämper chairs and a Brent Comber table
The Pacific Room is home to a wall panel and credenza made from British Columbia pine beetle wood
A cascading staircase zigzags down through the new atrium joining Canada House with its new annex at 2-4 Cockspur Street. The feature wall is made with Canadian hemlock
In the New Brunswick Room: a custom carpet by Lance Belanger and Kitty Mykka and a sandstone-topped credenza by Heidi Earnshaw Design
This carpet design is found running down the staircase throughout the house
The former bar, run during the Second World War in the house's basement, is now part of the staff canteen
A wood-block table by the Brothers Dressler of Ontario has 30 natural tones from 20 species of salvaged old-growth wood, walnut, oak and douglas fir. It consists of a pixelated detail of a maple leaf photographed years ago
A timber screen by Stantec, architects of the project
A grouping of cedar tables by British Columbian Brent Comber
ADDRESS
Canada House
Trafalgar Square
London WC2N 5NJ
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
-
London’s Sloane Street has been transformed into a ‘green boulevard’
Iconic shopping destination Sloane Street has had a facelift, now boasting wider pavements, enhanced seating and lighting, and a massive planting scheme
By Anna Solomon Published
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in London
Through use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
By Emily Steer Published
-
Explore a minimalist, non-religious ceremony space in the Baja California Desert
Spiritual Enclosure, a minimalist, non-religious ceremony space designed by Ruben Valdez in Mexico's Baja California Desert, offers flexibility and calm
By Ellie Stathaki Published
-
Ones to watch on Canada’s west coast design scene
By Hadani Ditmars Published
-
Blade runner: Ai & Om Knives forges a new store in Vancouver
By Rosanna Bruce Last updated
-
World spanning: Molteni&C Dada opens flagship stores in Tehran and Vancouver
By Elisa Carassai Last updated