Dung and politics: Mawande Ka Zenzile at Stevenson Gallery, Johannesburg

Illustration, black background, boy in brown hooded outfit on a bicycle with a front compartment carrying an E.T creature wrapped in a cream blanket
Johannesburg's Stevenson Gallery is currently hosting an eponymous solo show by artist Mawande Ka Zenzile. Pictured: Untitled, 2015
(Image credit: TBC)

Currently showing at Johannesburg's Stevenson Gallery, 'Mawande Ka Zenzile' is the eponymous South African artist's first solo show in the city; one through which Ka Zenzile aims to interrogate a number of ever-present political and social issues – racism, capitalism and colonialism.

'Primarily, my artistic process is driven by a desire to make or realise artistic forms; this new body of work engages my practice of using art as a medium to think and to connect dots,' explains the artist. This exhibition sees the continuation of Ka Zenzile’s use of cultural references to confront history, economic systems and political ideologies. 'For me, art becomes a space for contemplation where new allegories meet the old ones and out of this fusion I develop different ways to expose how power works in our society and histories,' he says.

Ka Zenkile uses iconographic images by borrowing them from their original context to convey hidden meanings about the complex nature of our society – incorporating materials such as cow dung and earth on canvas, sticks, stones and mud bricks across a body of work consisting of painting, sculpture and performances (including music by Larissa Johnson, among others).

Prior to the current show, Ka Zenzile previously won the 2014 Michaelis Prize from the prestigious Michaelis School of Fine Art in Cape Town and has since exhibited globally.

Illustration of a figure wearing a brown cape and hat, blue shaded background with a thin green line

The show intends to interrogate political and social issues including racism, capitalism and colonialism. Pictured: Portrait of Darwin, 2015

(Image credit: TBC)

Illustration, grey silhouette figures mingled together in a line, on a brown shaded background

Zenzile incorporates unconventional materials such as cow dung and earth on canvas, sticks, stones and mud bricks into his work. Pictured: Trap I, 2015

(Image credit: TBC)

Illustration, top half rustic colour background, bottom half rust colour merged into a green/ grey background with the word 'chicken' wrote in blue

He also uses iconographic images by borrowing them from their original context.... Pictured: Chicken, 2015

(Image credit: TBC)

Illustration, top half rustic colour background, bottom half rust colour merged into a green/ grey background with the word 'Egg' wrote in blue

... conveying hidden meanings about the complex nature of our society. Pictured: Egg, 2015

(Image credit: TBC)

Illustration, brown background, white hooded figure with black eye holes, greyish/ brown arms and legs, clasped hands and large boots on feet

'For me, art becomes a space for contemplation where new allegories meet the old ones and out of this fusion I develop different ways to expose how power works in our society and histories,' he says. Pictured: A girl with a hoody, 2015

(Image credit: TBC)

Illustration, brown background, words 'The will' wrote in white/ yellow colour

Prior to the current show, Ka Zenzile previously won the 2014 Michaelis Prize from the prestigious Michaelis School of Fine Art in Cape Town. Pictured: The Will, 2015

(Image credit: TBC)

INFORMATION

'Mawande Ka Zenzile' is on view until 11 March. For more information, visit the Stevenson Gallery's website

ADDRESS

Stevenson Gallery
62 Juta Street
Johannesburg, 2001

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Daniel Scheffler is a storyteller for The New York Times and others. He has a travel podcast with iHeart Media called Everywhere and a Substack newsletter, Withoutmaps, where he shares all his wild ways. He lives in New York with his husband and their pup.