Continental drift: El Anatsui’s five-decade retrospective in Sydney

first Australian show
Sydney's Carriageworks space is currently playing host to the first Australian show by Ghanaian artist El Anatsui
(Image credit: Zan Wimberley​)

With its lofty industrial proportions, Sydney’s multi-arts centre, Carriageworks, has the potential to dwarf the contemporary exhibitions within. Not so with internationally acclaimed Ghanaian artist El Anatsui’s first major Australian survey, organically inhabiting the expansive foyer area and the adjoining Anna Schwartz Gallery.

Presented in association with The Sydney Festival, the timely retrospective (Anatsui was awarded the esteemed Golden Lion for Lifetime Achievement at the 2015 Venice Biennale) spans five decades of work from the 1970s. It comprises over 30 pieces including early ceramics, drawings and woodcarvings incorporating West African adinkra symbols alongside Anatsui’s sculptures and monumental wall and floor installations, merging both sculptural and painterly techniques.

These captivating works are created with folded and crumpled pieces of discarded metal in a myriad of colours. West African printing plates, tin boxes, assorted alcohol bottle labels and thousands of recycled bottle caps are meticulously bound together, usually with copper wire, to create luminous yet weighty tapestries draped on walls with heavy folds, sometimes cascading onto the surfaces beneath. Others are poured across the polished concrete floor with ripples shimmering through their densely patterned fields.

Together, they recall bold African ceremonial cloths, ornate wall mosaics and weavings from other cultures – even the contours of natural landscapes and cartography – and portray universal concerns given the medium of re-used objects. Consumption and waste come immediately to mind; but equally, as does the optimistic notion of regeneration. Subtle, suggestive themes of colonisation, migration and cultural exchange are also apparent. A large abstract floor sculpture depicting a tarnished unraveling crown, for example, most eloquently questions the state of post-colonial Africa. 

The exhibition is the first Schwartz Carriageworks project following gallerist Anna Schwartz’s recent gift of AUD$500,000 to the gallery, to develop a new five-year series of major international and Australian visual arts projects within the venue.

Trains of Thought II, 2016

Presented in association with The Sydney Festival, the timely retrospective spans five decades of work from the 1970s. Pictured: Trains of Thought II, 2016

(Image credit: Zan Wimberley​)

lofty industrial proportions

With its lofty industrial proportions, Carriageworks has the potential to dwarf the contemporary exhibitions within. Not so here

(Image credit: Zan Wimberley​)

ceramics, drawings and woodcarvings, alongside Anatsui’s sculptures

The show comprises over 30 pieces including early ceramics, drawings and woodcarvings, alongside Anatsui’s sculptures and monumental wall and floor installations

(Image credit: Zan Wimberley​)

Awakened, 2016

The installations merge both sculptural and painterly techniques. Pictured: Awakened, 2016

(Image credit: Zan Wimberley​)

Adinkra Sasa, 2016

The collected works recall bold African ceremonial cloths, ornate wall mosaics and weavings from other cultures, and portray universal concerns given the medium of re-used objects. Pictured: Adinkra Sasa, 2016

(Image credit: Zan Wimberley​)

Group Photo, 2016

Subtle, suggestive themes of colonisation, migration and cultural exchange are also apparen. Pictured: Group Photo, 2016

(Image credit: Zan Wimberley​)

INFORMATION

'El Anatsui: Five Decades' is on view until 6 March. For more information, visit Carriageworks' website

Photography: Zan Wimberley

ADDRESS

Carriageworks
245 Wilson Street
Eveleigh
Sydney, NSW 2016

VIEW GOOGLE MAPS