Notions of womanhood are integral to Maria Grazia Chiuri’s vision for Dior. For the brand’s S/S 2018 show, Chiuri created a hall of mirrors from 80,000 shards of glass, in a nod to the work of French-American artist and sculptor Niki de Saint Phalle. For A/W 2018, a cut-and-paste inspired show set featured 3,000 poster images advocating women’s rights. For A/W 2019, the artistic director teamed up with the octogenarian Italian artist and writer Bianca Pucciarelli Menna, who works under the male pseudonym Tomaso Binga, an alter ego she adopted to highlight the privilege awarded to male artists. Binga’s works include the 1976 ‘Alfabetiere Murale', a typographical alphabet with letters formed from nude portraits of Binga herself. For the show, these letters were tessellated across the interior of the Musée Rodin in a grid of bold black, white and red tones. Dior worked with special events behemoth Bureau Betak on the production and creative direction of the runway design, which bought a new meaning to womanhood and word play.
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Jack Moss is the Fashion Features Editor at Wallpaper*. Having previously held roles at 10, 10 Men and AnOther magazines, he joined the team in 2022. His work has a particular focus on the moments where fashion and style intersect with other creative disciplines – among them art and design – as well as championing a new generation of international talent and profiling the industry’s leading figures and brands.
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