With great stealth and style, the Hong Kong-based Swire Hotels has been expanding its House Collective brand through Asia. The latest, The Middle House, has just opened in Shanghai, a seductive addition to the family, and the fourth, in fact, despite its moniker.
For road warriors and leisure trippers alike, the hotel’s location in the RMB 17 billion mixed-use development, HKRI Taikoo Hui, is flawless. The immediate neighbourhood, Dazhongli, holds some of the city’s last remaining historic shikumen, or lanehouses, around which rears up the towering skyscrapers of the Jing’an financial district.
Divided between two 14-storey towers clad in a striated façade of rounded aluminium louvres are 111 rooms and 102 serviced apartments whose interiors have been dressed by Piero Lissoni. Channeling his customary love for muted hues and streamlined silhouettes, the Milan-based architect and designer has conceived a handsome modern space that artfully incorporates local Shanghainese design elements.
In particular, the bedrooms – starting at a sizeable 50sqm and expanding to a palatial 660sqm for the penthouse – are sheathed in an Asia-lite palette of bronze mesh, slender pendant lights, hand-made ceramic tiles, silk panels, wall-to-wall benches, and low-slung furniture that seem to float off the dark-stained floors. In less assured hands, the result might easily have descended into cliché, but Lissoni ably unifies the disparate pieces into a masculine whole that quietly telegraphs its location without ever detracting from Shanghai’s Blade Runner-like landscape that unfurls through the floor-to-ceiling windows.
Just as gratifying is the Lab Mixun Spa, a sprawling pleasure dome that includes among the usual suspects of yoga studio, gym, juice bar and a HYPOXI room. For less strenuous recreation, there’s something to be said for a few leisurely laps in the indoor heated pool whilst sipping cold pressed juices ordered from the adjoining juice bar.
Gray Kunz, meanwhile, continues his long association with the House brand by lending his name to the hotel’s anchor attraction, Café Gray Deluxe, whilst two other equally soigné restaurants – all three also designed by Lissoni – serve up Cantonese and Italian fare, the latter served up, in good weather, in the adjoining garden terrace.
Divided between two 14-storey towers clad in a striated façade of rounded aluminium louvres the hotel’s location in the mixed-use development, HKRI Taikoo Hui, is flawless
Channeling his customary love for muted hues and streamlined silhouettes, the Milan-based architect and designer has conceived a handsome space that artfully incorporates local Shanghainese design elements
In particular, the bedrooms are sheathed in an Asia-lite palette of bronze mesh, slender pendant lights, hand-made ceramic tiles, silk panels, wall-to-wall benches, and low-slung furniture
In less assured hands, the result might easily have descended into cliché, but Lissoni ably unifies the disparate pieces into a masculine whole
Gray Kunz, meanwhile, continues his long association with the House brand by lending his name to the hotel’s anchor attraction, Café Gray Deluxe
Two other equally soigné restaurants – all three also designed by Lissoni – serve up Cantonese and Italian fare, the latter served up, in good weather, in the adjoining garden terrace
The immediate neighbourhood, Dazhongli, holds some of the city’s last remaining historic shikumen, or lanehouses, around which rears up the towering skyscrapers of the Jing’an financial district
INFORMATION
ADDRESS
No. 366 Shi Men Yi Road
Jing’an District
Shanghai
-
Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
-
Eurovision unveils its 2024 stage, designed by Beyoncé's Renaissance Tour creativesThis year's stage design aims to bring the audience into the performance more than ever before.
-
Ikea meets Japan in this new pattern-filled collectionNew Ikea Sötrönn collection by Japanese artist Hiroko Takahashi brings Japan and Scandinavia together in a pattern-filled, joyful range for the home
