Pilot Ref. 768, by Breitling, from private collections
The first new collection, the Navitimer 8, under Breitling’s new leadership looks straight back to pioneering pilot’s watches produced in the company’s ’Department 8’ during the 1930s, such as the Ref 768, from which derive the knurled bezel and simple, direct and uncluttered dial.
Cosmonaute AOPA All-Black, Ref. 809 Wide-Bezel, by Breitling, from private collections
The Navitimer remains Breitling’s most distinctive design and the watch that defines the brand more than any other. While the slide-rule bezel was originally intended for engineers, its value to pilots became quickly apparent. US astronaut, Scott Carpenter, requested a 24 hour dial version, which became Ref 809 Cosmonaute.
Co-Pilot Ref. 765 ‘AVI’ MK2.1, by Breitling, from private collections
Breitling’s heritage is bound up in the technical development of the chronograph and was a key supplier to militaries around the world. The 765 was Breitling’s top spec chronograph, built around a Venus movement that was the best of its time, it was anti-magnetic and was designed to be precisely legible, particularly in low-light conditions. Stylishly utilitarian, the 756AVI Mk2.1 was worn by Raquel Welch in her 1967 film, Fathom.
Superocean Ref. 1004, by Breitling, from private collections
Breitling have promised to give the SuperOcean diving watches a refresh. The design for 1957 Ref 1004, the company’s first divers’ watch balanced serious functionality with a details such as the hour markers and bezel profile that captured the 50’s spirit of technological change.
Premier 18K Ref. 760, by Breitling, from private collections
Breitling’s recent past has leant towards the overtly technical, almost machismo, but the pink gold Ref 760 Premier from 1943 shows that Breitling didn’t only produce high-value dress watches, but could do so with a sparse elegance that’s still relevant now. Note, for example, the simple treatment of the logo and the way the hour markers line up with the roman numerals.