Richard Rogers: Three gallery spaces for temporary exhibitions are being erected. Rogers’ cantilevered space will display drawings.
As originally featured in the January 2017 issue of Wallpaper* (W*214)
Richard Rogers: Three gallery spaces for temporary exhibitions are being erected. Rogers’ cantilevered space will display drawings.
As originally featured in the January 2017 issue of Wallpaper* (W*214)
Oscar Niemeyer: Niemeyer’s circular auditorium has a curved entrance hall that serves as an exhibition space for sculpture
Oscar Niemeyer: Niemeyer’s circular auditorium has a curved entrance hall that serves as an exhibition space for sculpture
Renzo Piano: Piano’s form, ‘with a lightness of touch as though a handkerchief has been dropped from the sky’, will show photography
Renzo Piano: Piano’s form, ‘with a lightness of touch as though a handkerchief has been dropped from the sky’, will show photography
James Turrell: Turrell’s light tunnel will travel through a hill and arrive at one of the artist’s ’Skyspace’ pavilions
James Turrell: Turrell’s light tunnel will travel through a hill and arrive at one of the artist’s ’Skyspace’ pavilions
Amanda Levete: Levete’s bridge has a series of interlocking modules; compartments are triangulated and there are no fixings. It responds to the context in which it will sit, over the estate’s restored Roman irrigation system
Amanda Levete: Levete’s bridge has a series of interlocking modules; compartments are triangulated and there are no fixings. It responds to the context in which it will sit, over the estate’s restored Roman irrigation system
Jean Nouvel: Nouvel’s ambitious environment for I Do, I Undo, I Redo, by Louise Bourgeois involves the excavation and rebuilding of a hillside over the top of the work
Jean Nouvel: Nouvel’s ambitious environment for I Do, I Undo, I Redo, by Louise Bourgeois involves the excavation and rebuilding of a hillside over the top of the work