Reissued 101 sunglasses by Lacoste
Heritage sportswear brand Lacoste has reissued a limited edition number of its original sunglasses from the 1980s. The Lacoste 101 aviator-style frames have changed very little in the 30-year gap since they were first introduced – a testament to the quality of the originals, or perhaps a sign that 1980s eyewear is replacing 1950s as the mode du jour.
In fact the only thing that has been tweaked from the originals is quality of the debossed alligator logo on the temples. The packaging, created by French industrial designer Christophe Pillet, who is also the design director of Lacoste eyewear, has been given a retro futuristic update.
Taking the brand’s tennis heritage as a starting point, the white cardboard box and rubber green case fit neatly inside the tramlines of the sport’s colours and each box contains an official certificate card with the serial number of the frames. In select stores (including Colette, Dover Street Market and 10 Corso Como) the 101s have been reissued in a limited edition run of just 1,000 so you’ll have to be quick off the mark to get your hands on a pair...
We spoke to Christophe Pillet to find out more:
How did you get involved in the project?
We have a global plan to focus on the iconic products of the brand, from the first polo to footwear. So when we found the 101 sunglasses in the archives we decided to reproduce them immediately.
What is your connection to Lacoste?
I first designed the shop concept for them, then was involved in designing bags and watches and eventually eyewear. Today I serve as the Design Director for the brand.
How did you devise the design for the packaging?
When we re-release iconic products, we have to make sure that the packaging and environment (shop display, communications photos, etc...) are well connected. The funny thing about the 101 package is that after we designed it like it is, we then found photos in the archives of its packaging from 25 years ago and it was almost the same!
This year there have been more reissues than ever across many creative disciplines – why do you think this is?
There is a fear of the future. Because of so many changes and instability, people are now dissappointed with the future, so they look towards classic or iconic products with a certain nostalgia. During times of crisis, companies can either invest heavily into R&D and launch new products and new stories or they can go back and remind consumers what made them great in the first place.
If you could bring any one thing back to life, what would it be?
Optimism for the future.