Mood board: In November 2017, sustainability crusader Stella McCartney and Ellen MacArthur Foundation launched the Circular Fibres Initiative, which included a report encouraging the luxury industry to adopt a reusable circular economy. The circle formed a motif in the designer’s S/S 2020 collection – the first with LVMH – encompassed in delicate cape detail shirts with petal shape edging, balloon sleeve dresses and sporty cut-outs on striped knitwear. Here the masculine and feminine was juxtaposed, with relaxed suiting (a nod to McCartney’s Savile Row training), presented against robe tie coats, lace slips and asymmetric dresses in wildflower photographic prints. Greenwashing is an industry issue, with brands using gimmicks or single collections to push their apparently environmentally-aware message, instead of confronting the many manufacturing stages in their supply chain. Not so for Stella. This was the brand’s most sustainable collection yet featuring recycled polyester, organic cotton, sustainable viscose, Econyl, hemp, bio acetate and sustainable raffia.
Finishing touches: McCartney is a long time pioneer of creating accessories from eco fabrics, from her long time use of vegan leather to the prototype the brand made of its Falabella bag using Bolt Threads’ Mylo™, a material made from mushroom mycelium. For spring, its half circular logo bag was wrapped by hand around a metal frame, using Eco Alter Nappa.
Team work: The night before McCartney’s show on the marble steps of her brand’s Opera Garnier location, the designer held a round table focused on sustainability, with speakers including author Dana Thomas, Claire Bergkamp, the brand’s sustainability director and David Breslauer, the founder of Bolt Threads. With deepening conversation and innovation, not just the brand, but the industry as a whole can take steps towards a more sustainable future.
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Four under-the-radar travel destinations to book in 2026 – before everyone else doesYou'd be forgiven if none of these locations are on your travel bingo card – yet
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Estudio Ome on how the goal of its landscapes ‘is to provoke, even through a subtle detail, an experience’The Mexico City-based practice explores landscape architecture in Mexico, France and beyond, seeking to unite ‘art and ecology’
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Charlotte Chesnais brings her distinctive sensuality to sculptural new jewelleryDefined by curving shapes and luscious pearls, the jewellery designer's new collection, 'Joaillerie', has sculptural allure
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How Bureau Betak transformed the runway show: ‘Our currency is emotion and memory’Pioneering production company Bureau Betak has masterminded some of the most inspiring runway sets of the last 30 years, dazzling both real-life guests and an ever-growing virtual global audience. Hugo Macdonald meets the people behind the magic
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‘Never copy the past’: how Nicolas Di Felice is taking Courrèges into the futureAt Courrèges, artistic director Nicolas Di Felice is marrying radical thinking, raving and reinterpreted minimalist codes to give the French fashion house a new dynamism. Hannah Tindle heads to Paris to meet the designer
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Power suits, thigh-high boots, dangerous glamour: these looks capture A/W 2025’s defining trendsFrom riffs on the working uniform to a mood of dangerous glamour, the A/W 2025 collections encapsulated in 12 distinctive looks and accessories
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Glenn Martens’ thrilling Maison Margiela debut was a balancing act between past, present and futureThe Belgian designer made his debut for the house last night with a collection that looked towards medieval decoration for a new expression of opulence
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Art meets perfume in cross-disciplinary fragrance series Nez 1+1Talents from film and fragrance come together to create Ansongo, the latest scent resulting from a creative matchmaking project by perfume revue Nez
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Haute Couture Week A/W 2025: what to expectFive moments to look out for at Haute Couture Week A/W 2025 in Paris (starting Monday 7 July), from Glenn Martens’ debut for Maison Margiela to Demna’s Balenciaga swansong. Plus, ‘new beginnings’ from JW Anderson
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The collections you might have missed this S/S 2026 menswear seasonBetween the headliners in Paris, Milan and Florence, a few off-schedule displays are deserving of honourable mention – from Martine Rose’s sexually-charged portrait of Kensington Market to Sander Lak’s appointment-only namesake debut
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‘They gave me carte blanche to do what I want’: Paul Kooiker photographs the students of Gerrit Rietveld Academie for Acne StudiosHeralding the launch of a new permanent gallery from fashion label Acne Studios, the celebrated Dutch photographer’s new body of work praises the bravery of ‘people who choose to go to an art school at a time like this’
