Maria Grazia Chiuri and Pier Paolo Piccioli solidified their reign as the crowned couple of Parisian elegance at Valentino's spring show. No one comes close to this duo in terms of crafting a modern style that also comes packaged with impeccable taste and wizardly craftsmanship. The clothes look as outrageously expensive as any proper haute couture production, but mercifully they are not. That being said, they are nowhere near cheap, as it takes time, skill and money to produce the delicate, intricate clothing that has become a house signature since the duo took over from Mr Valentino Garavani himself. This season, the designers dove into intricate thread and lace embroideries, suede intarsias in floral patterns, lacy denim, rainbow patchworked eyelet, coral and other sea life appliqué, and best of all, a 3D butterfly extravaganza that was meticulously crafted from millions of micro feathers. It was all worn with the now-trendy flat sandals they themselves ushered in two seasons ago; this time executed in a thin, strappy gladiator version. The sheer quantity of ideas could have caused a car crash effect on other runways, but the huge stream of creativity was spun here into a beautiful collection that flowed naturally and gracefully into a cohesive, exquisite whole.
Maria Grazia Chiuri and Pier Paolo Piccioli solidified their reign as the crowned couple of Parisian elegance at Valentino's spring show. No one comes close to this duo in terms of crafting a modern style that also comes packaged with impeccable taste and wizardly craftsmanship. The clothes look as outrageously expensive as any proper haute couture production, but mercifully they are not. That being said, they are nowhere near cheap, as it takes time, skill and money to produce the delicate, intricate clothing that has become a house signature since the duo took over from Mr Valentino Garavani himself. This season, the designers dove into intricate thread and lace embroideries, suede intarsias in floral patterns, lacy denim, rainbow patchworked eyelet, coral and other sea life appliqué, and best of all, a 3D butterfly extravaganza that was meticulously crafted from millions of micro feathers. It was all worn with the now-trendy flat sandals they themselves ushered in two seasons ago; this time executed in a thin, strappy gladiator version. The sheer quantity of ideas could have caused a car crash effect on other runways, but the huge stream of creativity was spun here into a beautiful collection that flowed naturally and gracefully into a cohesive, exquisite whole.
Maria Grazia Chiuri and Pier Paolo Piccioli solidified their reign as the crowned couple of Parisian elegance at Valentino's spring show. No one comes close to this duo in terms of crafting a modern style that also comes packaged with impeccable taste and wizardly craftsmanship. The clothes look as outrageously expensive as any proper haute couture production, but mercifully they are not. That being said, they are nowhere near cheap, as it takes time, skill and money to produce the delicate, intricate clothing that has become a house signature since the duo took over from Mr Valentino Garavani himself. This season, the designers dove into intricate thread and lace embroideries, suede intarsias in floral patterns, lacy denim, rainbow patchworked eyelet, coral and other sea life appliqué, and best of all, a 3D butterfly extravaganza that was meticulously crafted from millions of micro feathers. It was all worn with the now-trendy flat sandals they themselves ushered in two seasons ago; this time executed in a thin, strappy gladiator version. The sheer quantity of ideas could have caused a car crash effect on other runways, but the huge stream of creativity was spun here into a beautiful collection that flowed naturally and gracefully into a cohesive, exquisite whole.
Maria Grazia Chiuri and Pier Paolo Piccioli solidified their reign as the crowned couple of Parisian elegance at Valentino's spring show. No one comes close to this duo in terms of crafting a modern style that also comes packaged with impeccable taste and wizardly craftsmanship. The clothes look as outrageously expensive as any proper haute couture production, but mercifully they are not. That being said, they are nowhere near cheap, as it takes time, skill and money to produce the delicate, intricate clothing that has become a house signature since the duo took over from Mr Valentino Garavani himself. This season, the designers dove into intricate thread and lace embroideries, suede intarsias in floral patterns, lacy denim, rainbow patchworked eyelet, coral and other sea life appliqué, and best of all, a 3D butterfly extravaganza that was meticulously crafted from millions of micro feathers. It was all worn with the now-trendy flat sandals they themselves ushered in two seasons ago; this time executed in a thin, strappy gladiator version. The sheer quantity of ideas could have caused a car crash effect on other runways, but the huge stream of creativity was spun here into a beautiful collection that flowed naturally and gracefully into a cohesive, exquisite whole.
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Inspired by Robert Mapplethorpe, A/W 2025’s best menswear captures a ‘menacing elegance’‘A menacing, seductive elegance,’ is how Anthony Vaccarello described his A/W 2025 menswear collection for Saint Laurent, capturing a mood that ran through the season. Here, as seen in Wallpaper’s September 2025 cover shoot and film, a series of looks that invite a sense of risk when dressing for the months ahead
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Artists imbue the domestic with an unsettling unfamiliarity at Hauser & WirthThree artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
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No guilt, only pleasures await at Singapore’s first all-villa resortFrom late-evening scented baths to midnight snack attacks, daily indulgences come in abundance at the tropical Raffles Sentosa Singapore
