In the bright world of flash-bulb fashion, Rick Owens is the king of darkness. So it was shocking (and relieving) to see his fashion show set not in the dark underbelly of a remote sports arena, but inside the pastel-frescoed walls of Paris' Place du Trocadéro. Just as pure light shone through the huge windows of his venue, so too did Owens draw back the blinds on his usually pitch-black, moody clothing. The effect was translucent and intriguing. Owens worked almost exclusively in transparent tulle, which he layered, ironed, and crimped into complex honeycomb or patchwork configurations. The models' bodies got in on the act; many of which were painted ivory, like an aboriginal tribe. That too, felt very much on point. While most designers might treat a prim material like tulle in a sweet, romantic way, Owens twisted it into something primitive. As for his Grecian sandals? They featured enormous jaw soles that clonked along the floor as if carved from granite with the models walking on top of them like a big band of couture cavewomen.
In the bright world of flash-bulb fashion, Rick Owens is the king of darkness. So it was shocking (and relieving) to see his fashion show set not in the dark underbelly of a remote sports arena, but inside the pastel-frescoed walls of Paris' Place du Trocadéro. Just as pure light shone through the huge windows of his venue, so too did Owens draw back the blinds on his usually pitch-black, moody clothing. The effect was translucent and intriguing. Owens worked almost exclusively in transparent tulle, which he layered, ironed, and crimped into complex honeycomb or patchwork configurations. The models' bodies got in on the act; many of which were painted ivory, like an aboriginal tribe. That too, felt very much on point. While most designers might treat a prim material like tulle in a sweet, romantic way, Owens twisted it into something primitive. As for his Grecian sandals? They featured enormous jaw soles that clonked along the floor as if carved from granite with the models walking on top of them like a big band of couture cavewomen.
In the bright world of flash-bulb fashion, Rick Owens is the king of darkness. So it was shocking (and relieving) to see his fashion show set not in the dark underbelly of a remote sports arena, but inside the pastel-frescoed walls of Paris' Place du Trocadéro. Just as pure light shone through the huge windows of his venue, so too did Owens draw back the blinds on his usually pitch-black, moody clothing. The effect was translucent and intriguing. Owens worked almost exclusively in transparent tulle, which he layered, ironed, and crimped into complex honeycomb or patchwork configurations. The models' bodies got in on the act; many of which were painted ivory, like an aboriginal tribe. That too, felt very much on point. While most designers might treat a prim material like tulle in a sweet, romantic way, Owens twisted it into something primitive. As for his Grecian sandals? They featured enormous jaw soles that clonked along the floor as if carved from granite with the models walking on top of them like a big band of couture cavewomen.
In the bright world of flash-bulb fashion, Rick Owens is the king of darkness. So it was shocking (and relieving) to see his fashion show set not in the dark underbelly of a remote sports arena, but inside the pastel-frescoed walls of Paris' Place du Trocadéro. Just as pure light shone through the huge windows of his venue, so too did Owens draw back the blinds on his usually pitch-black, moody clothing. The effect was translucent and intriguing. Owens worked almost exclusively in transparent tulle, which he layered, ironed, and crimped into complex honeycomb or patchwork configurations. The models' bodies got in on the act; many of which were painted ivory, like an aboriginal tribe. That too, felt very much on point. While most designers might treat a prim material like tulle in a sweet, romantic way, Owens twisted it into something primitive. As for his Grecian sandals? They featured enormous jaw soles that clonked along the floor as if carved from granite with the models walking on top of them like a big band of couture cavewomen.
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In BDSM biker romance ‘Pillion’, clothes become a medium for ‘fantasy and fetishism’Costume designer Grace Snell breaks down the leather-heavy wardrobe for the Alexander Skarsgård-starring Pillion, which traces a dom/sub relationship between a shy parking attendant and a biker
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Tour Aflalo’s first retail space, a gallery-like studio in New YorkLight-filled and elegant, Aflalo has opened its first retail space in a classic Soho loft, reimagined by Nordic Knots Studio
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This Toronto pizzeria hides a sultry bar with serious biteNorth of Brooklyn unveils a fresh, two-level outpost where crisp, light-filled minimalism gives way to a warmer, neon-lit upstairs area
