Christopher Bailey titled his upbeat spring collection 'The Birds and The Bees', but it will most likely be remembered as the season that Burberry did 'denim and sneaks'. The former started out as tailored jean jackets, cinched at the waist and teamed with a skirt of oversized yellow sequins (surely the bees), but as the show gathered pace, the denim archetype found itself cropped at the bust, and later collared with colour-blocked patent leather. Given the show's patchwork trainers and Bailey's latest affection for pleated tulle - either as diaphanous tiered gowns or tied around models' waists as sash belts - there was something rather Happy Days retro to the mood. Bailey's Burberry girl was clearly on the move, but there was also a romanticism to her degrade, tulle petal dresses, and the way he'd scribed 'Britain' on his closing trench series and insect-illustrated tent roof, linking to his S/S 2015 menswear show's English literature lesson, along with the British summer garden that often inspires the Yorkshire-born, Londoner's presentations.
Christopher Bailey titled his upbeat spring collection 'The Birds and The Bees', but it will most likely be remembered as the season that Burberry did 'denim and sneaks'. The former started out as tailored jean jackets, cinched at the waist and teamed with a skirt of oversized yellow sequins (surely the bees), but as the show gathered pace, the denim archetype found itself cropped at the bust, and later collared with colour-blocked patent leather. Given the show's patchwork trainers and Bailey's latest affection for pleated tulle - either as diaphanous tiered gowns or tied around models' waists as sash belts - there was something rather Happy Days retro to the mood. Bailey's Burberry girl was clearly on the move, but there was also a romanticism to her degrade, tulle petal dresses, and the way he'd scribed 'Britain' on his closing trench series and insect-illustrated tent roof, linking to his S/S 2015 menswear show's English literature lesson, along with the British summer garden that often inspires the Yorkshire-born, Londoner's presentations.
Christopher Bailey titled his upbeat spring collection 'The Birds and The Bees', but it will most likely be remembered as the season that Burberry did 'denim and sneaks'. The former started out as tailored jean jackets, cinched at the waist and teamed with a skirt of oversized yellow sequins (surely the bees), but as the show gathered pace, the denim archetype found itself cropped at the bust, and later collared with colour-blocked patent leather. Given the show's patchwork trainers and Bailey's latest affection for pleated tulle - either as diaphanous tiered gowns or tied around models' waists as sash belts - there was something rather Happy Days retro to the mood. Bailey's Burberry girl was clearly on the move, but there was also a romanticism to her degrade, tulle petal dresses, and the way he'd scribed 'Britain' on his closing trench series and insect-illustrated tent roof, linking to his S/S 2015 menswear show's English literature lesson, along with the British summer garden that often inspires the Yorkshire-born, Londoner's presentations.
Christopher Bailey titled his upbeat spring collection 'The Birds and The Bees', but it will most likely be remembered as the season that Burberry did 'denim and sneaks'. The former started out as tailored jean jackets, cinched at the waist and teamed with a skirt of oversized yellow sequins (surely the bees), but as the show gathered pace, the denim archetype found itself cropped at the bust, and later collared with colour-blocked patent leather. Given the show's patchwork trainers and Bailey's latest affection for pleated tulle - either as diaphanous tiered gowns or tied around models' waists as sash belts - there was something rather Happy Days retro to the mood. Bailey's Burberry girl was clearly on the move, but there was also a romanticism to her degrade, tulle petal dresses, and the way he'd scribed 'Britain' on his closing trench series and insect-illustrated tent roof, linking to his S/S 2015 menswear show's English literature lesson, along with the British summer garden that often inspires the Yorkshire-born, Londoner's presentations.
Christopher Bailey titled his upbeat spring collection 'The Birds and The Bees', but it will most likely be remembered as the season that Burberry did 'denim and sneaks'. The former started out as tailored jean jackets, cinched at the waist and teamed with a skirt of oversized yellow sequins (surely the bees), but as the show gathered pace, the denim archetype found itself cropped at the bust, and later collared with colour-blocked patent leather. Given the show's patchwork trainers and Bailey's latest affection for pleated tulle - either as diaphanous tiered gowns or tied around models' waists as sash belts - there was something rather Happy Days retro to the mood. Bailey's Burberry girl was clearly on the move, but there was also a romanticism to her degrade, tulle petal dresses, and the way he'd scribed 'Britain' on his closing trench series and insect-illustrated tent roof, linking to his S/S 2015 menswear show's English literature lesson, along with the British summer garden that often inspires the Yorkshire-born, Londoner's presentations.
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‘Stone, timber, silence, wind’: welcome to SMK Thy, the National Gallery of Denmark expansionA new branch of SMK, the National Gallery of Denmark, opens in a tiny hamlet in the northern part of Jutland; welcome to architecture studio Reiulf Ramstad's masterful redesign of a neglected complex of agricultural buildings into a world-class – and beautifully local – art hub
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The Architecture Edit: Wallpaper’s houses of the monthWallpaper* has spotlighted an array of remarkable architecture in the past month – from a pink desert home to structures that appears to float above the ground. These are the houses and buildings that most captured our attention in August 2025
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Nipa Doshi's multidimensional cabinet nourishes mind, body and soulNipa Doshi is the Recipient of the 2025 Mecca x NGV Women in Design Commission; in Melbourne, she creates a miniature world that blends cultural heritage and personal memory
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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Nicholas Daley's multicultural roots celebrated in London -
London Fashion Week A/W 2021: the future of post-pandemic dressingLondon Fashion Week's first digial only-offering imagined a wardrobe for life after lockdown, by brands including Burberry, Simone Rocha and Priya Ahluwalia
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Optimism and pragmatism align at London Fashion Week S/S 2021In a socially-distanced show season different to any other, LFW's designers offered images of hope, escapism and utilitarianism
