Scene setting: In the high-ceilinged Central Saint-Martins’ Granary Building, where light falls in through glass walls, Mary Katrantzou made the most of reflections by covering her runway with silver foil and filling its finish with silver balloons reminiscent of Andy Warhol’s Factory Flotations.
Mood board: With country music in the background and colourful rodeo cut-out detailing on boxy herringbone jackets, Katrantzou collection was and ode to the cowgirl – but then a high-octane one with a penchant for patent leather platform Mary-Janes.
Best in show: When Katrantzou veered into more overtly feminine directions, we saw a very different side to her graphic style. Black pleated chiffon dresses with a colourful butterfly and fantasy print stood out in its singularity and fluidity.
INFORMATION
Photography: Jason Lloyd-Evans
-
Meet the Palestinian artist putting a candy-coloured twist on traditional glassmakingWith her company Ornamental by Lameice, designer Lameice Abu Aker is bringing joy and optimism to a time-honoured craft
-
Messika’s fluid jewellery is given a textural twistThe Parisian brand borrows a textural finish previously reserved for high jewellery with its new collection, ‘Move Ciselé’
-
This ingenious London office expansion was built in an on-site workshopNew Wave London and Thomas-McBrien Architects make a splash with this glulam extension built in the very studio it sought to transform. Here's how they did it
