Scene setting: In the high-ceilinged Central Saint-Martins’ Granary Building, where light falls in through glass walls, Mary Katrantzou made the most of reflections by covering her runway with silver foil and filling its finish with silver balloons reminiscent of Andy Warhol’s Factory Flotations.
Mood board: With country music in the background and colourful rodeo cut-out detailing on boxy herringbone jackets, Katrantzou collection was and ode to the cowgirl – but then a high-octane one with a penchant for patent leather platform Mary-Janes.
Best in show: When Katrantzou veered into more overtly feminine directions, we saw a very different side to her graphic style. Black pleated chiffon dresses with a colourful butterfly and fantasy print stood out in its singularity and fluidity.
INFORMATION
Photography: Jason Lloyd-Evans
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Last chance to see: Sharjah Biennial 15, ‘Thinking Historically in the Present’Built on the vision of late curator Okwui Enwezor, the Sharjah Biennial 15: ‘Thinking Historically in the Present’ offers a critical reframing of postcolonial narratives through major new commissions
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For London Gallery Weekend 2023, the mood is hardcore
With London Gallery Weekend 2023 almost upon us (2 – 4 June), here’s our list of must-see art exhibitions
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Birkenstock celebrates its most memorable styles with colourful capsule (and matching socks)
Birkenstock marks the 40th, 50th and 60th anniversaries of the Gizeh, Arizona and Madrid sandals, respectively, with limited-edition versions
