Bespoke Partnership
Newly appointed artistic director Luca Nichetto steers Barovier&Toso’s centuries-long tradition into a modern era
The renowned Venetian glassmaker unveils a new visual identity steeped in the brand’s heritage and a collection by key international designers at Milan Design Week
In Partnership With Barovier&Toso
It’s impossible to say glass without thinking of Murano. And what would Venetian glass be without one of the oldest family businesses in the world – Barovier&Toso. Founded seven centuries ago, the brand has collaborated with some of the lagoon’s most skilled artisans, building an unshakeable reputation for refined chandeliers and finely crafted lighting designs that transcend trends.
Barovier&Toso headquarters in Murano
Even the most storied houses, however, must evolve. Under the careful direction of newly appointed artistic director Luca Nichetto, Barovier&Toso is entering a new chapter that reimagines Venetian glassmaking for a global contemporary audience while remaining firmly rooted in its heritage.
Nichetto, who was born in Murano and is now based in Stockholm, took on the role in May 2025. His appointment marks a pivotal moment for the company, as he works alongside CEO Andrea Signoroni to guide a wider strategic transformation. The ambition is clear: reinforce the brand’s international presence and reinterpret centuries-old craftsmanship through new design approaches, collaborations and production strategies.
Barovier&Toso’s furnace in Murano
Barovier&Toso’s furnace in Murano
‘From a young age, Murano glass was my first school,’ Nichetto reflects. ‘It's a living material capable of telling ancient stories while opening up new possibilities.’ His approach explores the many stylistic layers that have shaped the Venetian lagoon’s design culture, bringing them into dialogue with a contemporary, cosmopolitan outlook.
Barovier&Toso’s new visual identity
Barovier&Toso’s new visual identity
A central element of this renewal is a refreshed visual identity developed by Studio Blanco. Inspired by Barovier&Toso’s historic signage on Fondamenta Vetrai in Murano, the new identity refines and modernises the brand’s graphic language. A retraced logo, updated colour palette and typography informed by the tones of the Venetian lagoon create a system that is both rooted in place and adaptable across digital and physical applications.
The transformation will come fully into view during Milan Design Week 2026, when Barovier&Toso presents ‘2026 Chapter 1’ at its Via Durini showroom from 20-26 April. The installation introduces a new collection developed under Nichetto’s artistic direction and created in collaboration with an international group of designers, including Claesson Koivisto Rune, Emmanuel Babled, Studio Lani, Keiji Ashizawa and García Cumini.
Together, the projects explore refreshed formal languages for Murano glass while honouring the technical mastery that defines the brand. The result signals a renewed vision for Barovier&Toso – one that treats its heritage not as a fixed legacy but as a rich living resource for the future of design.
Barovier&Toso’s new visual identity
Barovier&Toso’s new visual identity
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Gavin Hastings is Bespoke Copywriter at Wallpaper* and has a wealth of experience from the luxury space, having previously worked with high-end brands including COS, Zegna, and Gucci to create impactful, modern content.
-
A dramatic exoskeleton holds a museum full of humanity at Powerhouse ParramattaPowerhouse Parramatta opens this week, its architecture by Moreau Kusunoki the backdrop to a slew of local and international designers and artists in this multi-layered home for creativity in Sydney, Australia
-
How The Corner Store imported its celebrity-fueled New York buzz to Las VegasCaviar-topped lobster rolls, prime beef cuts and other expressions of old school decadence seamlessly translate to Sin City in Rockwell Group’s lavish setting
-
Design Doha’s public commissions look to the past to design for the futureWallpaper* speaks to the creatives behind the five Public Design Commissions at Design Doha 2026, drawing on regional approaches to water, materials, craft, climate and the built environment
-
How Angelo Lelii brought technical precision and whim to Italian lighting designItalian lighting designer and entrepreneur Angelo Lelii was the founder of renowned lighting company Arredoluce, and the mind behind some of the past century's most imaginative creations
-
Art, design and industry collide in Antonio Colombo's newly-opened design archiveMilanese creative entrepreneur Antonio Colombo opens his archive encapsulating a wonderful slice of 20th century design history, where design culture is surrounded by art and industry
-
Bisila Noha’s ceramics are informed by culture, community and feminismTacchini celebrates Bisila Noha as the inaugural winner of its prize, dedicated to the intersection of contemporary artistic research and design culture
-
Faye Toogood puts faces on tiles for her debut collection with MutinaItalian tile manufacturer Mutina taps the British designer for a collection that means walls really do have ears – and eyes, noses and nipples
-
Giorgetti takes a beautifully tactile seat at the Homo Faber tableEs Devlin brings Giorgetti’s ‘Summa’ pouf to her visual feast at Venice’s biennial celebration of artisanship, revealing the craft and material complexity behind it – watch the film
-
Es Devlin casts Homo Faber 2026 in a new lightOn Venice’s San Giorgio Maggiore, the British artist sets the stage for more than 700 handcrafted objects in an exploration of human skill, material and time
-
Moto Guzzi opens a new museum at its historic Lake Como factoryThe legendary Italian motorcycle manufacturer unveils its transformed Mandello del Lario headquarters, with a new museum and production facilities designed by American architect Greg Lynn
-
Head to Tuscany for a design double bill that treats the object as material researchOutsiders, a new creative residency conceived by Tableau, and the 2026 edition of design platform Vestigia both invite designers and artists to experiment with materials and create unique works