Artist Theo Simpson on the liberating potential of designing and building
An avid collector of esoteric and old found imagery — photographs that were once instructional, torn from the pages of manuals, reference books, adverts and instruction guides — Lincolnshire-based Theo Simpson plays the role of both researcher and inventor, looking back at ideas about technology and industry and their genesis, often in dialogue with northern England’s history.
Simpson’s latest exhibition, ‘Part and Whole’, opening tomorrow at FOAM 3H, Amsterdam – part of FOAM’s Outset/Unseen Exhibition Fund awarded to the artist in 2017 – continues to look at these things, but brings them into the contemporary frame. Working with new material he’s collected, ‘experimental drawings and models, books showing children how to build with wire,’ the artist says, ‘I was taken with the liberated ways of designing and building, often free from purpose or from being overwhelmed by function.’
The free-spirited, unconstrained approach of these new materials inspired Simpson’s new series of three sculptural structures on view: two floor-based helical designs at 3H and a third off-site. ‘There was something exciting about the doubt and inconclusiveness that all the pieces encompass; they aren’t forced to achieve the clarity I’ve often looked for.’
Where Simpson’s previous work has looked at his surroundings through two-dimensional documentation, the off-site work, an arched form carved from one tonne of limestone pulled out of a disused quarry, literally mines the environment for ‘what meaning can be found in the landscape understood to be forgotten, exploited, exhausted.’
Back at the gallery, the designs have been organised meticulously according to a grid that reflects the proportions of the space. ‘I used the grid to plot the intersections for varying fields of bars (reinforcing bars used in design) which formed the arc and created many drawings of columns with differing characteristics as a way of understanding the possibilities of the material, forms and the space.’
Some sections have been prefabricated, using reinforcing bars and laser cut steel, and employing basic construction methods. ‘I was attracted to this idea of using these very definite standard construction materials – this sort of usually invisible enabling fabric to break through the space, with all of it's repetitive surfaces exposed, something with which each part connects together to achieve a fixed, rigid and final whole.’
‘There’s something exciting about connecting elements and ideas even when seemingly opposing,’ Simpson adds. ‘The possibilities of invention and ways of extending and expressing ideas can open up before you with the more elements and materials you introduce.’ The challenge is finding a harmony between these different languages—the three dimensional sculptures, the site-specific work and the comparative flatness of the wall-hanging photo-based works. Just like an old instruction manual, Simpson’s proposition is to join up the parts and their whole.
INFORMATION
‘Part and Whole’ is on view from 19 January – 1 April. For more information, visit the FOAM website and Theo Simpson’s website
ADDRESS
FOAM 3H
Keizersgracht 609
1017 DS Amsterdam
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
The 2024 Ivor Novello nominations for songwriting have been revealed
77 British and Irish songwriters and composers make up this year's nominees, announced tonight at London's Groucho Club
By Charlotte Gunn Published
-
Why Bollinger’s La Grande Année 2015 champagne is worth celebrating
Champagne Bollinger unveils La Grande Année 2015 and La Grande Année Rosé 2015, two outstanding cuvées from an exceptional year in wine-making
By Melina Keays Published
-
Lexus installation explores time at Milan Design Week 2024
Lexus brought designer Hideki Yoshimoto’s ‘Beyond the Horizon’ to Milan’s Art Point, part of its ongoing series of collaborations with Fuorisalone
By Nargess Shahmanesh Banks Published
-
Meredith Monk’s interdisciplinary art sets all the senses singing in Amsterdam show
‘Meredith Monk: Calling’ at Oude Kerk, Amsterdam, is both a series of concerts and a deep-dive into Monk’s eclectic oeuvre
By Hannah Silver Published
-
Heads up: art exhibitions to see in January 2024
Start the year right with the Wallpaper* pick of art exhibitions to see in January 2024
By Hannah Silver Published
-
Caroline Walker curates as Grimm Amsterdam explores domesticity in art
Curating ‘The Painted Room’ at Grimm Amsterdam, Caroline Walker explores the intimacy of interiors
By Emily Steer Published
-
Drift Museum, a blockbusting experiential space, is set to open in Amsterdam in 2025
Drift Museum is a collaboration between art duo Drift – aka Lonneke Gordijn and Ralph Nauta – and entrepreneur Eduard Zanen
By Hannah Silver Published
-
New exhibition samples the deep space and alien vibes of Stanley Kubrick’s work
‘I'm Sorry Dave’ sees Amsterdam’s Ravestijn Gallery delve into otherworldly atmospheres and retro-futurism
By Jonathan Bell Last updated
-
Amsterdam photography exhibitions: what not to miss
We spotlight the best Amsterdam photography exhibitions to visit this Autumn
By Sophie Gladstone Last updated
-
New dance performance features costumes made of spider silk
Mist is the second collaboration between choreographer Damien Jalet and artist Kohei Nawa, with spider silk costumes designed by Sruli Recht
By Mary Cleary Last updated
-
Photographing the defiance and opulence of Europe’s contemporary Ballroom scene
In his ongoing series, photographer Dustin Thierry charts the ‘emancipatory possibilities of expression’ in Ballroom culture across Europe
By Harriet Lloyd-Smith Last updated