Polish graphic designer Roman Cieślewicz was a master of collage who, with his scalpel and scissors, brought surrealist fantasy to the dour visual culture of communist Poland. By reworking familiar icons like Che Guevara and Mona Lisa, he produced some of the most influential posters and book illustrations of the 20th century, now on show at London's Royal College of Art.
Born in Poland in 1930, Cieślewicz later moved to Paris in 1963, where he was renowned for his critical perspective of Western consumer spectacle. His works on show at the RCA range from film posters, such as his eery design for Hitchcock's 'Vertigo', to his Soviet Avant Garde-inspired publicity posters for the Pompidou Centre in the late 1970s.
The prolific designer - who died in 1996 - also worked closely with figures from the worlds of advertising and fashion, including Guy Bourdin and Helmut Newton, as well as art directed several magazines.
Cieślewicz's RCA exhibition is the first retrospective of his work in the UK. Presented by the Polish Cultural Institute and the Adam Mickiewicz Institute, it is the finale of 'Polska! Year' - a British celebration of Polish culture in Britain.
’Madame Lacleur’ collage from ’The Mysteries of Udolpho’ series, by Roman Cieslewicz, 1975.
’A Gothic Night’ collage from ’The Mysteries of Udolpho’ series, by Roman Cieslewicz, 1975.
’Polish Fashion’ - a poster promoting a new Polish fashion chain in Warsaw, by Roman Cieslewicz, 1959.
’Vertigo’ poster promoting Alfred Hitchcock’s film, by Roman Cieslewicz, 1963.
Cover for Ti i Ja magazine, designed by Roman Cieslewicz. Cieslewicz was the magazine’s art editor from 1959 - 62.
Cieslewicz’s work on show at the Royal College of Art.
’Look’ motive from the poster for Roman Cieslewicz’s solo show, ’Roman Cieslewicz: photomontage, affiche, serigraphie’ at Palais Rihour in Lille, 1978.
Roman Cieslewicz posters being installed at the Royal College of Art.
ADDRESS
Gulbenkian Galleries
Royal College of Art
Kensington Gore
London SE7 2EU
-
Why are Wayne Thiebaud’s paintings at the Courtauld quite so tempting?The American artist’s thickly painted slices of cake at the Courtauld are some of our favourite artworks seen this year. What makes them so special?
-
Taiwan’s new ‘museumbrary’ is a paradigm-shifting, cube-shaped cultural hubPart museum, part library, the SANAA-designed Taichung Green Museumbrary contains a world of sweeping curves and flowing possibilities, immersed in a natural setting
-
Dries van Noten on why he's building a new home for craft in VeniceA year after departing the runway, Dries van Noten unveils his next chapter: the Fondazione Dries Van Noten, a newly announced cultural initiative in Venice celebrating craft in all its forms. Wallpaper* meets the designer to find out why he’s not ready to retire.
