When German artist Markus Amm applies oil paint to his canvas, he has an innate sense of what the result will be. Pigments, oil, thinner and binding agents run over gesso boards to create vivid layers of colour that can take days, weeks and even months to apply. The results, Amm says, are always exciting and can be surprising – both good and bad.
‘Pigments can have a different weight, they can combine differently. It’s like a game of ping pong,’ he explains, reflecting on his complex working process. ‘For instance a speck of dust could fly into the paint and I may have to wipe it out. It’s a constant reaction to what's going on. I’m playing my part, and then seeing how the material is reacting. As I can’t completely control the process, the result is always open; it’s like alchemy.’
Born in Stuttgart, Germany, in 1967, Amm studied graphic design at the Hochschule für Gestaltung in Offenbach. He has lived in London, Berlin, and now Geneva, becoming internationally known through participation in major group shows on painting.
Installation view of Markus Amm’s exhibition at David Kordansky Gallery, Los Angeles. Courtesy of David Kordansky Gallery, Los Angeles
An incredibly versatile artist, Amm is celebrated for his modernist photograms, luminograms, sculptures, oil paintings and drawings that reside somewhere between the avant-garde movement and futurism.
In spring of last year, just before the opening of his mid-career retrospective at Kunsthaus Baselland in Basel, Switzerland, the German artist found himself with an unusually empty studio and an exciting invitation to create a completely new body of work for David Kordansky Gallery in Los Angeles.
‘Paintings can hang around in my studio for up to four years before I let them out,’ he muses. ‘Normally I have boards prepared that I can work on, but this time, for David Kordansky, it was a completely new body of work. I was working on a daily basis from morning until evening to get this show done. The pressure is always there, even if I were to have double the amount of time. It’s to do with personal ambition – you always want to do the best you can do.’
Untitled, 2017, by Markus Amm, oil on gesso board,Courtesy of David Kordansky Gallery, Los Angeles
Opened at Kordansky’s 12,000 sq ft space, which was designed by the architect Kulapat Yantrasast, Amm’s latest showcase comprises around 17 small but mesmerising oil on gesso board works, each measuring from around 13 3/4 x 11 7/8 to 29 1/2 x 23 5/8 inches. Looking at these luminous rectangles of layered paint is like staring into deep pigmented pools of water.
The installation of the show was a collaborative process between Amm and David Kordansky. The most recently completed works, Amm says, have taken on a darker mood. ‘Perhaps to do with the fact that they were painted in Switzerland during the autumn and winter months,’ he ventures, noting: ‘This is a new development for me.’
The prospect of filling the spacious South La Brea Avenue gallery space with these relatively small works was, he admits, a rather daunting prospect, but by no means insurmountable. ‘I realised in Basel that I could play with a really big space, even with small formats,’ he smiles. ‘After this, I think I can handle it.’
Untitled, 2017, by Markus Amm, oil on gesso board, Courtesy of David Kordansky Gallery, Los Angeles
Installation view of Markus Amm’s exhibition at David Kordansky Gallery, Los Angeles,Courtesy of David Kordansky Gallery, Los Angeles
Untitled, 2017, by Markus Amm, oil on gesso board, Courtesy of David Kordansky Gallery, Los Angeles
INFORMATION
‘Markus Amm’ is on view until 24 March. For more information, visit the David Kordansky Gallery website
ADDRESS
David Kordansky Gallery
5130 W Edgewood Place
Los Angeles
-
Rivian hits Miami Art Week to release R1S Quad Miami Edition, a new colour and a scentVivid sights and evocative smells are part of Rivian’s quest to humanise its all-electric SUVs
-
Katie Stout installs a stone menagerie across Miami's Design DistrictHorses, frogs and even a mermaid have taken over the avenues of Miami Design District. Discover ‘Gargantua’s Thumb’, a collection of stone seating by designer Katie Stout
-
An analogue room planner kit makes designing your dream home a doddlePlanora, a new room planner option conceived by a team of three Swedish architects, is a beautifully produced, analogue tool to help conceptualise your new space
-
Nadia Lee Cohen distils a distant American memory into an unflinching new photo book‘Holy Ohio’ documents the British photographer and filmmaker’s personal journey as she reconnects with distant family and her earliest American memories
-
This Gustav Klimt painting just became the second most expensive artwork ever sold – it has an incredible backstorySold by Sotheby’s for a staggering $236.4 million, ‘Portrait of Elisabeth Lederer’ survived Nazi looting and became the key to its subject’s survival
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
Ed Ruscha’s foray into chocolate is sweet, smart and very AmericanArt and chocolate combine deliciously in ‘Made in California’, a project from the artist with andSons Chocolatiers
-
Maggi Hambling at 80: what next?To mark a significant year, artist Maggi Hambling is unveiling both a joint London exhibition with friend Sarah Lucas and a new Rizzoli monograph. We visit her in the studio
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* editors curated a diverse mix of experiences, from meeting diamond entrepreneurs and exploring perfume exhibitions to indulging in the the spectacle of a Middle Eastern Christmas
-
Artist Shaqúelle Whyte is a master of storytelling at Pippy Houldsworth GalleryIn his London exhibition ‘Winter Remembers April’, rising artist Whyte offers a glimpse into his interior world
-
‘Sit, linger, take a nap’: Peter Doig welcomes visitors to his Serpentine exhibitionThe artist’s ‘House of Music’ exhibition, at Serpentine Galleries, rethinks the traditional gallery space, bringing in furniture and a vintage sound system
