Antarctica may seem an unlikely artistic source and subject, yet Lucy + Jorge Orta have turned to that frigid continent as inspiration for their latest creative endeavour. Open this week, Jane Lombard Gallery in New York’s Chelsea district is showcasing the couple’s first US exhibition, ‘Antarctica’, which runs until 20 February.
It began with the Paris-based husband and wife team seeking to posit a translation of the climate change crisis in artistic terms. Back in 2007, they set off on an expedition to the South Pole to create an art installation as part of the End of the World Biennale in Ushuaia, Argentina.
‘We wanted to spotlight critical environmental concerns by first focusing on the fast melting polar ice cap,’ says Lucy Orta, speaking from Moulins in France where the couple have a vast studio and cultural complex.
Once there, the Ortas created the monumental installation Antarctic Village, comprised of 50 dome-like sculptures, onto which they stitched myriad flags from countries around the globe.
On view in the gallery is one of the work's domes, measuring six feet in diameter. All of the works in the show also take their cues from their expedition.
There’s also a participatory element to the newest iteration of the duo's travelling installation, Antarctic World Passport Delivery Bureau, which was presented during the COP21 UN Climate Summit last year at Paris' Grand Palais. By stepping into this loft-like structure, constructed of reclaimed wood and kitted out with a picnic set and more, visitors can register to receive a numbered Antarctica World Passport in exchange for a pledge to support the project’s principle to take action against global warming and aim for peace. To date, the Ortas have issued some 12,000 passports.
The Paris-based husband and wife team were inspired to explore the climate change crisis in artistic terms, initiating their project by setting off on an expedition to the South Pole in 2007. Pictured: Antarctic Village – No Borders Dome Dwelling, 2007
‘We wanted to spotlight critical environmental concerns by first focusing on the fast melting polar ice cap,’ says Lucy Orta. Pictured: Antarctica World Passport Mobile Delivery Bureau, 2008
Antarctic Village – No Borders, Drop Parachute, 2007–08
The couple made their own interpretations of survival kits. Pictured left: Life Line – Survival Kit, 2008. Right: Life Line – Survival Kit, 2008
Working sketches for Antarctica – Drop Parachute, 2008 (left) and Antarctica – Life Line, 2008 (right)
INFORMATION
'Lucy + Jorge Orta: Antarctica' is on view until 20 February. For more information, visit Jane Lombard Gallery's website
Photography courtesy of the artists and gallery
ADDRESS
Jane Lombard Gallery
518 West 19th Street
New York, NY 10011
-
The spread of Butter: the Black-owned art fair where artists see all the profitsThe Indianapolis -based art fair is known for bringing Black art to the forefront. Venturing out of state to make it Los Angeles debut we speak with founders Mali and Alan Bacon to find out more
-
This café-restaurant in Mumbai feels like a warm hug in design formConceived by Studio RCI, Bomdia Brasserie is a comforting two-storey venue in the Matunga neighbourhood, where every detail invites you to linger
-
Sip in style at 30,000 feet with Air France’s new premier cocktail collectionThe airline partners with mixologist Matthias Giroud on three new signature cocktails for its La Première customers – here’s to a modern negroni, or a spicy non-alcoholic tipple
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis -based art fair is known for bringing Black art to the forefront. Venturing out of state to make it Los Angeles debut we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick CollectionThe actor has appeared in a video promoting New York’s newly renovated art museum
-
'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice
-
Architect Erin Besler is reframing the American tradition of barn raisingAt Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
The dynamic young gallerists reinvigorating America's art scene'Hugging has replaced air kissing' in this new wave of galleries with craft and community at their core
-
Meet the New York-based artists destabilising the boundaries of societyA new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality
-
‘Her pictures looked like pictures everybody knew were the truth’: Diane Arbus at the ArmoryMatthieu Humery curates more than 400 of Arbus’ photographs at New York’s Park Avenue Armory – every picture she was known to have printed
-
Mystic, feminine and erotic: the power of Penny Slinger’s bodies as landscapeArtist Penny Slinger continues her exploration of the sacred, surreal feminine in a Santa Monica exhibition, ‘Meeting at the Horizon’
