Jonas Mekas and Robert Polidori exhibition, New York

Jonas Mekas and Robert Polidori exhibition in New York
From left: Andy Warhol show at Whitney Museum, New York (1970); and John Lennon and Yoko Ono, during shooting of Yoko Ono's movie 'Legs', New York (1970), by Jonas Mekas
(Image credit: Jonas Mekas)

This month film-maker Jonas Mekas and photographer and Wallpaper* contributor Robert Polidori are holding a joint exhibition of their portrait works at the Edwynn Houk Gallery in New York. And not a moment too soon. The pair have a friendship that spans the better part of fifty years but this is the first time they have shown together.

Intent on becoming a film-maker, Montreal-born Polidori moved to New York in his early twenties to work under Jonas Mekas at his newly established Anthology Film Archives in Manhattan. It was under Mekas’ guidance that Polidori first exhibited his work in 1970. Now famed for his images of architecture and interior spaces such as the Chateau de Versailles, his less well-known portraits of people he meets on his travels, particularly in India and the Middle East, are getting an outing at this show.

Born in Lithuania in 1922, Mekas arrived in New York in 1949. In 1954 he launched Film Culture magazine and began writing his long-running Village Voice column in 1958. After becoming president of the Film Makers Cooperative in 1961, he went on to found the AFA in downtown Manhattan, where he met Robert.

Although he is best known for a series of avant-garde films, including 'Scenes from the Life of Andy Warhol', Mekas has always documented his daily life and this exhibition delves into that personal archive. Using 'frozen film frames', Mekas has produced a series of revealing portraits including scenes from John Lennon and Yoko Ono at John’s 32nd birthday and Jackie Onassis at her Fifth Avenue apartment.

'We are old friends but our works are very different,' says Mekas, insisting that the photos in the exhibition complement each other. Polidori agrees: 'I think these two ways of working contrast well.' Certainly the personal and intimate nature of Mekas' shots will be an interesting contrast to Polidori's more posed and formal works.

A picture of Robert Polidori and Salvador Dali and Jonas Mekas

From left: Robert Polidori (1970); and Salvador Dali and Jonas Mekas (1963)

(Image credit: Jonas Mekas)

The three little girls are standing

Mareb, Yemen, by Robert Polidori (1994)

(Image credit: Robert Polidori)

A women standing in a garden

Ispahan, Iran, by Robert Polidori (1999)

(Image credit: Robert Polidori)

Beggar in Sanaa

Beggar in Sanaa, Yemen by Robert Polidori (1994)

(Image credit: Robert Polidori)

Girls are standing on a road

Chandigarh, India, by Robert Polidori (1998)

(Image credit: Robert Polidori)


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