'Home and Away and Outside': Tobias Rehberger's dazzling new exhibition at Schirn Kunsthalle in Frankfurt

Tobias home and away and outside
The Schirn Kunsthalle in Frankfurt presents artist Tobias Rehberger's first major exhibition in his hometown, entitled 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014.
(Image credit: Norbert Miguletz)

The German artist Tobias Rehberger is a kind of environmental Op artist, creating spaces that dazzle and disorientate. And his new show, 'Home and Away and Outside', opening today at the Schirn Kunsthalle in Rehberger's home city of Frankfurt, traces what is now a career spanning 20 years of dazzle and disorientation.

Curated by Matthias Ulrich, the exhibition assembles 60 works including sculptures, installations and paintings. It opens with a new take on 'Was du liebst, bringt dich auch zum Weinen', the work that earned him the best artist Golden Lion at the 2009 Venice Biennale. Walls, floors, ceilings, sculptural objects, are all covered with the eye-boggling camouflage used by the dazzle ships in World War I. It is a strangely beguiling rather than hostile space.

Rehberger, as always, pushes and pulls at the thin line between art, architecture and design, fine art and applied art, functionality and uselessness. For one series, We Never Work on Sundays, created in 1994, Rehbeger - from memory and with scant regard to technical accuracy - drew icons of 20th century design, including pieces by Marcel Breuer, Alvar Aalto and Gerrit Rietveld. He then took them to Cameroon and, working with local artist Pascale Martine Tayou, employed Cameroonian craftsmen to make replicas based on the drawings. It questions iconography and authority, the cultural-specificity of taste and the hugely appealing not-quiteness of the furniture forces us to question the nature of that appeal, the way that we frame it.

The third part of the exhibition, housed in the Schirn Rotunda, at the entrance to the Kunsthalle, is a huge hanging light sculpture created from old neon tubes, fairground lights and advertising. A spotlight above the sculpture casts a shadow onto a round pedestal underneath and spells out a single word: regret. Darkness out of light.

Tobias rehberger art

Curated by Matthias Ulrich, the exhibition assembles 60 works including sculptures, installations and paintings © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Tobias Rehberger: home and away and outside

The exhibition is distributed over three gallery spaces, and opens with a new take on 'Was du liebst, bringt dich auch zum Weinen', the work that earned him the best artist Golden Lion at the 2009 Venice Biennale © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Walls, floors, ceilings, sculptural objects, are all covered with the eye-boggling camouflage used by the dazzle ships in World War

Walls, floors, ceilings, sculptural objects, are all covered with the eye-boggling camouflage used by the dazzle ships in World War I. Pictured centre is 'Mother spiral (stairs)', 2011 © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

'Large Cuckoo Clock', 2009 (left) and 'Small Cuckoo Clock', 2009 (right)

'Large Cuckoo Clock', 2009 (left) and 'Small Cuckoo Clock', 2009 (right) © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Tobias rehberger art

In stark contrast, the second part of the exhibition is staged against a minimalist all-white backdrop that pushes and pulls at the thin line between art, architecture and design, fine art and applied art, functionality and uselessness © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Furniture tobias rehberger

For one series, We Never Work on Sundays (1994), the artist drew from memory icons of 20th century design, before taking them to Cameroon and employing local craftsmen to make replicas based on the drawings © Schirn Kunsthalle Frankfurt, 2014. 

(Image credit: Norbert Miguletz)

Installation view of 'Home and Away and Outside

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014. 

(Image credit: Norbert Miguletz)

Cuckoo M.J.IV

'Cuckoo M.J.IV.', 2012 © Tobias Rehberger, courtesy Galerie Bärbel Grässlin, Frankfurt.

(Image credit: Galerie Bärbel Grässlin, Frankfurt, Wolfgang Günzel)

Huge hanging light sculpture

The third part of the exhibition, housed in the Schirn Rotunda, at the entrance to the Kunsthalle, is a huge hanging light sculpture created from old neon tubes, fairground lights and advertising. A spotlight above the sculpture casts a shadow onto a round pedestal underneath and spells out a single word: regret © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

'Untitled', 2012 © Schirn Kunsthalle Frankfurt, 2014.

'Untitled', 2012 © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Installation view of 'Home and Away and Outside

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Michel Majerus

'Michel Majerus', 1995 © Tobias Rehberger, courtesy Galerie Bärbel Grässlin, Frankfurt.

(Image credit: Wolfgang Günzel)

'Smoking, listening, for himself - I care about you because you do', 2009 © Galerie Bärbel Grässlin, Frankfurt.

'Smoking, listening, for himself - I care about you because you do', 2009 © Galerie Bärbel Grässlin, Frankfurt.

(Image credit: Wolfgang Günzel)

Tobias rehberger home and away and outside

'Der lange Weg zur Anerkennung', 2011 © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

Installation view of 'Home and Away and Outside

Installation view of 'Home and Away and Outside' © Schirn Kunsthalle Frankfurt, 2014.

(Image credit: Norbert Miguletz)

ADDRESS

Schirn Kunsthalle
Römerberg, 60311
Frankfurt

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