At Glastonbury’s Shangri-La, activism and innovation meet
Glastonbury’s south-east corner is known for its after-dark entertainment but by day, there is a different story to tell

If you venture to the south-east corner of Glastonbury’s sprawling Worthy Farm site, you’ll find Shangri-La, a patch of field filled with tiny club venues, outdoor stages and political art. Each year, the area adopts a different theme but, for 2024, the concept picks up where last year left off with ‘Everything Must Go – The Sequel’, an immersive commentary on consumerism and capitalism.
As you walk through the area's central 'parade', structures made to look like shop fronts line the path. On one side, you’ll see people doing their make-up for phone cameras through the window of the InfluenceZoo and a boss berating their employee in the Fulfilment Centre. On the other, there’s Capitalism To Gogo, complete with staff pushing products on from bending the glass, and State Agents, a satirical take on a realtor’s office.
‘It’s a version of an alternative high street experience,’ says Kaye Dunnings, Shangri-La’s creative director. ‘Our high streets and communities are in decline and, looking at those things, late-stage capitalism is mostly the problem. It’s looking at solutions, but also trying to find ways to deal with the trauma through comedy.’
The shopping parade culminates in the new, alfresco Peace Stage, which will be present at the festival for this year only. The space is designed as a decaying shopping centre, the lettering on its signage crooked and unkempt. The space will change over the weekend as activists and artists – and general festival-goers – paste up art they’ve created on site, sharing their positive messages with those who enter the area. ‘We’re looking at consumerism, but twisting and turning it into something that makes us feel really good, positive and powerful,’ Dunnings explains of the ‘living, breathing piece of art’.
Shangri-La in 2024 is also opening its doors to communities that are often less commonly represented in mainstream culture. In the Nomad space, you can become a member of the Chapel Of Unrest, a protest group based in Bristol’s Rockaway Park, aiming to spread hope to their community and beyond. In a blue bus next door, you can join one of their number, Joe, for a cup of tea in the vehicle he calls home.
Next door, under a bright red sign, is Arrivals: a new live space and a Glastonbury first. Run by the team behind Dialled In, the events team and platform showcasing South Asian creativity, it will play host to artists and DJs from the diaspora all weekend. Inside, it transports punters to an alien jungle planet, its walls adorned with illustrations that connect imagery from the South Asian world with pulp sci-fi visuals.
‘Everything has a meaning and speaks to the past, present and future,’ Dhruva Balram of Dialled In says. ‘The space has been designed, conceptualised and programmed by an entirely South Asian team.’ It marks the first time that region has been represented so strongly at Glastonbury – proof that, even this far into its story, the festival continues to evolve and expand its reach, ever wider.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Rhian Daly is a culture journalist who has contributed to the likes of Billboard, Rolling Stone, Grazia and more.
-
‘Never copy the past’: how Nicolas Di Felice is taking Courrèges into the future
At Courrèges, artistic director Nicolas Di Felice is marrying radical thinking, raving and reinterpreted minimalist codes to give the French fashion house a new dynamism. Hannah Tindle heads to Paris to meet the designer
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
The Stuff That Surrounds, episode three: Inside the home of architect Glenn Sestig
In The Stuff That Surrounds, Wallpaper* explores a life through objects. This episode, we’re invited inside an architectural gem – just what you'd expect from one of the most distinctive voices in the field today
-
Pantone’s new public art installation is a tribute to Coldplay’s ‘Yellow’, 25 years after its release
The colour company has created a – you guessed it – yellow colour swatch on some steps in Wembley Park, London, where the band will play ten shows this month
-
Out of office: the Wallpaper* editors’ picks of the week
The Wallpaper* team immersed themselves in culture this week, attending theatre, music and art performances and exhibitions at some of London’s most esteemed establishments. Along the way, we may have discovered the city's best salad…
-
Thirty-five years after its creation, Lynn Hershman Leeson’s seminal video is as poignant as ever
Lynn Hershman Leeson’s 'Desire Inc', at 243 Luz in Margate, blurs the boundaries between art and reality
-
A bespoke 40m mixed-media dragon is the centrepiece of Glastonbury’s new chill-out area
New for 2025 is Dragon's Tail – a space to offer some calm within Glastonbury’s late-night area with artwork by Edgar Phillips at its heart
-
Glastonbury’s Terminal 1 is back: ‘Be prepared to be deeply moved and then completely uplifted’
Terminal 1 is an immersive, experiential space designed to deliver a vital message on immigration rights at Glastonbury 2025
-
At Glastonbury’s reinvented Shangri-La, everything must grow
With a new theme for 2025, Glastonbury’s Shangri-La is embracing nature, community and possibility; Lisa Wright is our field agent
-
Lubaina Himid and Magda Stawarska’s new show at Kettle’s Yard will uncover the missing narratives in everyday life stories
The artists and partners in life are collaborating on an immersive takeover of Kettle’s Yard, Cambridge, in an exhibition that delves into a lost literary legacy
-
See the fruits of Niki de Saint Phalle and Jean Tinguely's creative and romantic union at Hauser & Wirth Somerset
An intimate exhibition at Hauser & Wirth Somerset explores three decades of a creative partnership