Artist Clare Strand challenges readers to cut and fold this season's sharpest looks
Grab your scissors: conceptual artist Clare Strand's perspective-bending graphics encourage Wallpaper* readers to get creative with this season's key fashion
Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface,’ posits A Square, the narrator of Edwin Abbott Abbott’s Flatland: A Romance of Many Dimensions. Published in 1884, the Victorian satirical novella proposed a segregated society of geometric figures, spanning multiple dimensions. It is this perspective-bending approach that Brighton-based artist Clare Strand has brought to the September 2020 issue of Wallpaper*.
Strand devised a special series of graphic interventions based on Abbott’s novella for this fashion story – photographed by George Harvey and styled by Wallpaper* fashion director Jason Hughes – and also designed the newsstand cover for this issue. She was drawn to the idea of the viewer (our readers) interacting with and even creating their own artworks. ‘The project is an effort to go beyond the traditional fashion page and take it to a new, third dimension,’ she says.
Much like the protagonist of Flatland, we’re being challenged by Strand to seek a new perspective, creating 3D objects from the 2D templates presented to us. ‘I find the geometry nets awkward yet extremely aesthetic, almost like a hieroglyphic writing system,’ Strand says. ‘The colours of the lines are a key: the black lines are for cutting, the red are for folding.’ (The red lines are also a subtle nod to Strand’s current show at The Photographers’ Gallery in London, where she is exhibiting images inscribed with a red number code, alongside work by her fellow nominees for the 2020 Deutsche Börse Photography Foundation Prize.)
Harvey’s black-and-white images provided the ideal foil for Strand’s investigation; the artist herself often works in monochrome, stating that ‘it helps boil the world down to its essentials’. ‘Though I work with photography and have made photographs, I am not a conventional photographer,’ she notes, describing herself as ‘an ideas-driven artist with photography at the core’.
A post shared by Distribution de magazine (@ips_diffusion)
A photo posted by on
Clare Strand’s graphic compositions, which encourage Wallpaper* readers to create 3D shapes from the 2D templates found within the September 2020 Style Special issue. Strand’s geometric art also features on this month’s newsstand cover. Image via IPS
This article originally appeared in the September 2020 issue of Wallpaper* (W*257) – on newsstands now and available for free download here
INFORMATION
Clare Strand’s current show, which forms part of the Deutsche Börse Photography Foundation Prize 2020, is on view at The Photographers’ Gallery until 20 September.
clarestrand.co.uk; thephotographersgallery.org.uk
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
-
Molly Goddard on creating a community of contemporary brides
As new Molly Goddard bridal wear is released, the designer talks about creating romantic but real wedding dresses, while three recent brides tell the stories behind their own Goddard gowns
By Jack Moss Published
-
Palazzo Roma embodies the heritage of Roman noblesse
Palazzo Roma, part of the Shedir Collection, boasts eclectic and eccentric interiors by Giampiero Panepinto
By Luke Abrahams Published
-
Boise Passive House’s bold gestures support an environmentally friendly design
Boise Passive House by Haas Architecture combines sleek, contemporary design and environmental efficiency
By Ellie Stathaki Published
-
Sinta Tantra’s sculptures find a historic home at Pitzhanger Manor, UK
Sinta Tantra’s ‘The Light Club of Batavia’ exhibition at Pitzhanger Manor unites her large and small-scale works and explores the duality of beauty and colonialism
By Amah-Rose Abrams Published
-
Jonathan Baldock’s playful works bring joy to Yorkshire Sculpture Park
Jonathan Baldock mischievously considers history and myths in ‘Touch Wood’ at Yorkshire Sculpture Park
By Anne Soward Published
-
Kerry James Marshall donates first portrait, of Skip Gates, to Fitzwilliam Museum, UK
Kerry James Marshall's portrait of the literary critic, writer and filmmaker is his first of a real, rather than an imagined, sitter
By Amah-Rose Abrams Published
-
Turner Prize 2023 exhibition unwrapped: inside Towner Eastbourne
The Turner Prize 2023 exhibition has opened inside the colourful Towner Eastbourne; delve into the work of the four nominees
By Malaika Byng Published
-
Madelon Vriesendorp’s ‘sculptural interventions and playful ideas’ at The Cosmic House
A Madelon Vriesendorp exhibition opens at The Cosmic House in London, surprising and delighting visitors with its ‘sculptural interventions and playful ideas‘
By Will Jennings Published
-
The best London art exhibitions to see now
Your guide to the best London art exhibitions, as chosen by the Wallpaper* arts desk
By Hannah Silver Published
-
Liverpool Biennial 2023 explores the legacy of slavery
The Liverpool Biennial 2023, ‘uMoya: The Sacred Return of Lost Things’, seeks a sense of healing as it explores the legacy of slavery in the city
By Amah-Rose Abrams Published
-
‘A temple of love’: Joana Vasconcelos unveils colossal wedding cake sculpture
At Waddesdon Manor, UK, Joana Vasconcelos unveils her ‘impossible project’ Wedding Cake – part sculpture, part architectural garden folly, part pâtisserie
By Daniel Scheffler Published