Brutalist and modernist references unite in a house that challenges suburban living

In Victoria, Australia, Glenblaith is an unorthodox residence balancing concrete and curves that slowly unveil a secret garden

Brutalism and modernism collide in a house which challenges suburban living
(Image credit: Thurston Empson)

What happens when brutalist and modernist references unite? Coy Yiontis Architects’ Glenblaith house is the answer – a quirky concrete residence in the prestigious Manifold Heights neighbourhood in Victoria, Australia.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Tour Glenblaith, a residence where brutalism and modernism collide

The single-storey residence was designed as a ‘forever home’ for a professional couple. Its façade is smooth, geometric and mysterious, with a timber entry that acts as a moveable screen to slowly unveil its introverted core.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

‘The client approached us after following the work of the practice for over ten years,’ explains the firm’s director, George Yiontis. ‘Armed with magazine clippings of our previous projects, there was a clear focus on the courtyard house typology and use of robust, natural materials.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

'Concrete and timber were the protagonists in the vision of their new home, integrated with a prominent and lush landscape to satisfy her green thumb and provide a focus in retirement years.'

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

The home's anchor is the 4.8m oculus, a subtle nod to midcentury design hinting to the fluid curvature of The TWA Flight Center and architect John Lautner’s 1979 Hope Residence. This architectural ode foreshadows the intricate design codes within the rest of the home.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Yiontis notes, ‘The building’s appearance from the street is unassuming but different; the low-lying concrete form is recessed from its fenceless boundary and the lush front yard contrasts the endless stretch of newly volume-built and post-war neighbours with their pitched roofs and fenced, manicured lawns. While conforming to planning guidelines, the house is an anomaly in the streetscape.’

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

In this context, Glenblaith was conceived to challenge the traditional conventions of suburbia and its landscape. The architecture firm made sure to utilise unorthodox materials and small nooks to keep an element of surprise.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

The monolithic concrete columns frame the large atrium-cum-courtyard space, complete with a lily pond, offering a central green utopia with the residence. Beyond this, the house is divided into separate wings; one intimate, one for living and entertaining.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Other unexpected design details include a small alcove in the bedroom, which has been utilised as a desk space, while a window has been artfully barricaded with an intriguing brick pattern, allowing the shadows to dance on the floor below.

Brutalism and modernism collide in a house which challenges suburban living

(Image credit: Thurston Empson)

Coy Yiontis Architects has redefined suburbia, stepping away from the white-picket-fenced, cookie-cutter mould, and presenting a new benchmark for living: a vibrant garden house that doesn’t shout or demand attention, but is slowly discovered and enjoyed.

coyyiontis.com.au

Staff Writer

Tianna Williams is Wallpaper’s staff writer. When she isn’t writing extensively across varying content pillars, ranging from design and architecture to travel and art, she also helps put together the daily newsletter. She enjoys speaking to emerging artists, designers and architects, writing about gorgeously designed houses and restaurants, and day-dreaming about her next travel destination.