KAAN Architecten injects new life into a historic building in The Hague
KAAN Architecten holds the contemporary working values of transparency and flexibility at the heart of its redesign of The Hague’s Grade I-listed Bezuidenhoutseweg 30 (B30), which has been transformed from a historic monument into a highly functioning working space for five distinct offices.
Originally built in 1917, and designed by then-chief government architect Daniel EC Knuttel, the stiff neoclassical architecture of the B30 ministry building reflected the austerity of its time and the strict hierarchies of the government office. Later in 1994 it was then renovated, and partly demolished, by architect Hans Ruijssenaars.
Playing a role in preserving the history of the B30, KAAN worked with many original features of the building, while renewing and updating much of the design into an intuitive and less hierarchical design. ‘We restored a huge part of the original building and added a fourth floor that reaches the original height of the building. The main part of the new design was to rearrange the 20th century office spaces and add new offices following the same grid,’ says Dikkie Scipio, lead partner on the project. ‘Additionally the users requested small meeting rooms and special rooms for concentration that are now stacked in multiple levels in three different areas of the building,’ she says.
It was on the ground floor where the conceptual ideals of the redesign unfolded. Here, the new architecture reflects the working practices of collaboration, interaction and debate expressed by the offices and client (the Central Government Real Estate Agency). Diverse spaces for employees and the public have been carved out including a restaurant, library, meeting and seminar rooms, a sunken auditorium and a café which opens up into the gardens with pivoting high-gloss aluminum framed doors. A light-filled public atrium, with a specially commissioned floor mosaic by Dutch artist Rob Birza, is positioned at the core of the building beneath a series of geometric light shafts that echo the original coffered ceilings.
‘The change in hierarchical relations and the importance of the ground floor has been expressed in the front façade by enlarging the windows: the openings have been taken down to the stone plinth of the building, moving the window sills down and lengthening the jambs,’ says Scipio.
On the exterior, the new sandblasted concrete frames were infilled with stone and a colouring agent matching the tones of the original building and in other parts of the building, materials were also matched including the interior finishes of grey Israeli imestone and American oak. KAAN added highly polished anodised aluminium to window frames and fixtures for a contemporary finish, achieving a fine balance between restoration and modernisation throughout the project.
INFORMATION
For more information, visit the KAAN Architecten website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
Tekαkαpimək Contact Station: a building ‘as inspiring as the endless forest and waterways of the land’
The new Tekαkαpimək Contact Station by Saunders Architecture with Reed Hilderbrand and Alisberg Parker Architects, opens at Katahdin Woods and Waters National Monument in the USA
By Beth Broome Published
-
Bentley collaborates with fashion designer Supriya Lele to create ‘Nīla Blue’
This one-off Bentley Bentayga S showcases a new paint and interior specification created with Indian-British designer Supriya Lele
By Shawn Adams Published
-
Wallpaper* checks in at Yoruya, a Japanese inn where less is always more
Yoruya, which transforms a 110-year-old former kimono merchant shopfront and residence in Kurashiki, is an exercise in graceful restraint and craft
By Joanna Kawecki Published