Section Two of New York's High Line park opens

aerial view is taken from the vantage of West 30th Street, looking south toward the Statue of Liberty and the World Trade Center site

Section two Running between West 20th and West 30th Streets, the new stretch of the High Line has just opened, doubling the park in size. This aerial view is taken from the vantage of West 30th Street, looking south toward the Statue of Liberty and the World Trade Center site ©Iwan Baan, 2011

(Image credit: TBC)

By Malaika Byng

last updated 1 September 2022

in News

Constructed in the 1930s to lift dangerous freight trains off the streets, the High Line languished unused for three decades (the last train passed along it in 1980) until a group of New Yorkers had the bright idea to turn it into a very modern breed of public park in 2009. Now the second phase of its glorious reincarnation has just been unveiled, complete with wooded hillocks, stretches of lawn and even a series of art installations by acclaimed names.

The new stretch doubles the length of the park. Now one mile long, it winds its way from Gansevoort Street to West 30th Street, connecting the Meatpacking District, West Chelsea and Midtown West along the way, and hurtling the city towards a new phase of regeneration. Flanked by new buildings by the likes of Frank Gehry, Jean Nouvel and Neil Denari, the first section has been dubbed 'architect's row', attracting more than $2 billion in private investment to the area, and the new section is expected to do the same.

To mark its opening, ten dancers from the Trisha Brown Dance Company stepped onto different rooftops surrounding the southern end of the High Line to perform Roof Piece - the seminal work of the company's eponymous founder, a postmodern dance icon who fuses choreography with the visual arts. This was its first outdoor performance since its premier in 1971. As one dancer began improvising fluid movement signals, these were swiftly picked up by the next dancer, so that the piece appeared to ricochet across the rooftops. Unable to see all the dancers all at once, visitors strolled along the High Line to see the performance from different vantage points.

Roof Piece is one of five art commissions for the High Line that include an architecturally inspired sculpture from Sarah Sze; a sound installation, titled Digital Empathy by Julianne Swartz, transmitted through the park's bathroom sinks, water fountains and elevators; a rooftop sculpture by Kim Beck; and a series of photographs presented on a billboard next to the Line at West 18th Street.

Like with the first section, the planting on section two is inspired by the wild, self-seeded landscape that sprung up naturally on the High Line when the trains stopped running in 1980 and the design retains the original railroad tracks and Art Deco railings. Highlights include the Wildflower Field between West 26th and West 29th Streets, and the 'Falcone Flyover' between West 25th and West 26th Streets, where a walkway rises eight feet above the line, allowing visitors to walk through a canopy of sumac and magnolia trees and see the city beyond.

The park is the brainchild of a group called Friends of the High Line (headed by Joshua David and Robert Hammond), who formed in 1999 when the disused track was under threat of demolition. Spotting the promise in the gritty but wild and serene stretch of line raised 30ft above the busy streets of Manhattan, they called in the services of landscape architecture practice James Corner Field Operations, architects Diller Scofidio + Renfro and planting guru Piet Oudolf, to turn it into the feat of high design greenery it is today. Plans are now afoot to reclaim the final section of the track and complete the verdant trail through the heart of the city.

Concrete area with shaped planted section for trees — (Image credit: TBC)

Watch a film we commissioned in 2009 about the transformation of the first section of the High Line

Section two Like with the first section, the planting on the new stretch is inspired by the wild, self-seeded landscape that sprung up naturally on the High Line when the trains stopped running in 1980. Chelsea Thicket (pictured) is a densely planted area of trees and shrubs between West 20th and West 22nd Streets ©Iwan Baan, 2011 (Image credit: TBC)

View of 30th Street Cut-Out and Viewing Platform, the concrete decking has been removed to expose the steel grid work and street below — Section two The design retains the original railroad tracks and Art Deco railings. For this section, named the 30th Street Cut-Out and Viewing Platform, the concrete decking has been removed to expose the steel grid work and street below ©Friends of the High Line, 2011 (Image credit: TBC)

View of flyover and shrubs below — Section two Between West 25th and West 27th Streets, Falcone Flyover incorporates a metal walkway raised 8ft above the High Line, allowing groundcover plants to blanket the terrain below, and carrying visitors upward into a canopy of sumac and magnolia trees ©Iwan Baan, 2011 (Image credit: TBC)

Section two Aerial view of Falcone Flyover, at West 26th Street ©Iwan Baan, 2011 (Image credit: TBC)

Section two To the right of the High Line is Rainbow City, an environmental and interactive art installation by FriendsWithYou and presented by AOL, on view from June to early July at The Lot, a temporary public plaza at West 30th Street ©Friends of the High Line, 2011 (Image credit: TBC)

Section two A meandering pathway passes by old and new architecture in West Chelsea, between West 24th and West 25th Streets ©Iwan Baan, 2011 (Image credit: TBC)

Section two 23rd Street Lawn and Seating Steps, a gathering space between West 22nd and West 23rd Streets ©Iwan Baan, 2011 (Image credit: TBC)

Section two Wildflower Field, looking North toward West 29th Street, where the High Line begins a long, gentle curve toward the Hudson River ©Iwan Baan, 2011 (Image credit: TBC)

Image of a crowd watching a rooftop dance performance — Section two Marking the opening of the new stretch of the High Line, Trisha Brown Dance Company staged a performance of Brown’s seminal work, ’Roof Piece’ from 1971, atop the surrounding buildings. New Yorkers gathered to watch the action Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

Image of roof top dancers — Section two As one dancer began improvising fluid movement signals, these were swiftly picked up by the next dancer, so that the piece appeared to ricochet across the rooftops Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

Crowds gathered to see roof top dancers — Section two Unable to see all the dancers at once, visitors strolled along the High Line to see them from different vantage points Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

Close up view of a dancer- Red suit, bent raised knee, building behind — Section two Trisha Brown is an icon of posmodern dance. With strong Minimal roots, she creates performances that defy the limits of traditional dance and incorporate aspects from the visual arts Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

View of a single dancer on a roof — Section two Brown’s work plays with the concept of space and physics, which lent it perfectly to the the architectural setting Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

View of rooftop dancers — Section two This performance - also marking the 40th anniversary of Trisha Brown Dance Company - was the first time the work has been staged in its original roof top context since its premiere in 1971 Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

View of a single dancer on the corner of a rooftop — Section two Roof Piece was performed four times during the first days of the new section of the High Line’s opening, and is one of a series of works of art commissioned by Friends of the High Line Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

A single dancer on a rooftop — Section two A dancer peforms in front of a sculpture by artist Kim Beck Roof Piece, 2011. Courtesy of the Trisha Brown Dance Company and Friends of the High Line (Image credit: Kevin Vast)

Black and white image of the performance 'Roof Piece' by Trisha Brown in 1971 — ection two The original performance of ’Roof Piece’ by Trisha Brown in 1971 Courtesy of the Trisha Brown Dance Company (Image credit: Babette Mangolte)

Metal architectural sculpture — Section two Other art commissions for the new stretch of the High Line include an architectural sculpture by Sarah Sze, titled ’Still Life with Landscape (Model for a Habitat)’, 2011 Courtesy of Friends of the High Line (Image credit: Sarah Sze)

Metal structure that forms open gateway &amp; acts as a bird, butterfly and insect observatory, with perches, feeding spots and bird baths — Section two It forms an open gateway that visitors can walk through, and its architecture acts as a bird, butterfly and insect observatory, with perches, feeding spots and bird baths Courtesy of Friends of the High Line (Image credit: Sarah Sze & Friends of the High Line)

High line with Billboard to the right — Section two ’A Rail Road Artifact’ by Joel Sternfeld (30th St, May 2000, 2000/2010) is the first work in Landscape with Path, a series of photographs that will be presented on a large billboard next to the High Line at West 18th Street Courtesy of Friends of the High Line (Image credit: Bill Orcutt)

Section one Opened in June 2009, the first stretch of the High Line park runs between Gansevoort Street and West 20th Street. The Chelsea Grasslands is a prairie-like lanscape between West 19th Street and West 20th Street ©Iwan Baan, 2009 (Image credit: TBC)

View over a balcony looking down to the street — Section one The High Line is elevated 30ft above the street. This photograph looks east towards West 20th Street ©Iwan Baan, 2009 (Image credit: TBC)

View of Gansevoort Slow Stair access point on the corner of Gansevoort Street and Washington Street — Section one Gansevoort Slow Stair access point on the corner of Gansevoort Street and Washington Street ©Iwan Baan, 2009 (Image credit: TBC)

Section One Gansevoort End, Plaza, and stairs at Gansevoort and Washington Streets ©Iwan Baan, 2009 (Image credit: TBC)

Black &amp; white image of High Line in 1934 — From the archives This photograph shows the High Line in 1934, the year it opened to trains © Friends of the High Line, 2011 (Image credit: TBC)

Black &amp; white image before the High line on West 17th Street, looking north, in 1934 — From the archives The High Line was constructed in order to lift dangerous freight trains off the streets. Photographed from West 17th Street, looking north, in 1934 © Friends of the High Line, 2011 (Image credit: TBC)

From the archives When the trains stopped running in 1980, the tracks lay unused for three decades and it became a wild, self-seeded habitat, which inspired its transformation into a park. Photographed at 30th Street on a morning in May, 2000 Joel Sternfeld © 2000 (Image credit: TBC)

Malaika Byng is an editor, writer and consultant covering everything from architecture, design and ecology to art and craft. She was online editor for Wallpaper* magazine for three years and more recently editor of Crafts magazine, until she decided to go freelance in 2022. Based in London, she now writes for the Financial Times, Metropolis, Kinfolk and The Plant, among others.