Celine S/S 2019 Paris Fashion Week Women's
Hedi Slimane presents his anticipated debut for the house

Scene setting: In Paris, the anticipation for Hedi Slimane’s debut collection for Celine has been palpable. It’s been two years since the designer left Kering-owned Saint Laurent, leaving with him a storied tale of profit making and marketing magic. We’ve had snippets of Slimane’s new vision for the LVMH-owned house, that was creatively helmed by Phoebe Philo for the previous decade: there has been a new logo (an accent removed from the first ‘e’, and a focus on a former 1960s typographic style) and a teaser of the brand’s new ‘16’ bag on the arm of Lady Gaga.
Images of the brand’s new women’s and men’s advertising campaign were posted on Instagram and plastered all over the streets of Paris. For his S/S 2019 debut, Slimane showed his collection in a dark show space at the historic Hôtel des Invalides. As the show began, a jagged mirrored wall was revealed at the head of the catwalk so Slimane’s first model reflected in multiple cross sections of glass before she emerged.
Mood board: In Slimane’s exclusive interview with Le Figaro, published on Tuesday, the designer spoke of ‘starting a new chapter for the house’. He also emphasised he would not ‘derogate from [his] style, from what made [him]’, and like the two drummers from la Garde républicaine who opened and closed the show, he was well and truly moving to his own beat. Slimane is renowned for his rock ’n’ roll, tapered aesthetic, and this was high on the agenda for his new vision for Celine. Titled ‘Paris La Nuit’, there were references to 1970s Cold Wave and mod culture, and the collection culminated in skinny suiting for men, and after-dark partywear for women. All shimmering micro mini dresses, fur coats, cropped tuxedo jackets and a daring flash of leg. This was a slightly softer, more romantic vision, with voluminous pouf dresses, net fascinators and plenty of ostrich feather trim. Slimane, renowned for bringing the skinny suit to Dior Homme, also presented a more unisex vision for the brand, with the entire men’s collection also available for women.
Team work: In his vision for Celine, Slimane has also added a couture atelier to the house, and a fully hand embroidered dress, teddy jacket and kimono showed off not just the skills of his new artisans, but also showcased a collaboration with Swiss-American artist Christian Marclay. The sequinned pieces featured colourful vintage-comic inspired embroidery, and demonstrated just one element of the new visual language, which Slimane has bought to the brand.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?
The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
-
This spa in the Riviera Maya stays open until midnight. Here’s what happens after dark
Rosewood Mayakoba’s Akbal Series proposes a new kind of night out
-
Two new villas extend Christian Louboutin’s exuberant Portuguese hotel
A pink, kasbah-inspired residence and a whitewashed boathouse join the French shoe designer’s Vermelho Hotel in Melides, Alentejo
-
Glenn Martens’ thrilling Maison Margiela debut was a balancing act between past, present and future
The Belgian designer made his debut for the house last night with a collection that looked towards medieval decoration for a new expression of opulence
-
Michael Rider’s joyful Celine debut: ‘I’ve always loved the idea of clothing that lives on’
Presented today in Celine’s Paris HQ, the designer’s astute debut balanced the house’s recent legacy with a fresh, contemporary vision which nodded to his American roots
-
Art meets perfume in cross-disciplinary fragrance series Nez 1+1
Talents from film and fragrance come together to create Ansongo, the latest scent resulting from a creative matchmaking project by perfume revue Nez
-
Haute Couture Week A/W 2025: what to expect
Five moments to look out for at Haute Couture Week A/W 2025 in Paris (starting Monday 7 July), from Glenn Martens’ debut for Maison Margiela to Demna’s Balenciaga swansong. Plus, ‘new beginnings’ from JW Anderson
-
The collections you might have missed this S/S 2026 menswear season
Between the headliners in Paris, Milan and Florence, a few off-schedule displays are deserving of honourable mention – from Martine Rose’s sexually-charged portrait of Kensington Market to Sander Lak’s appointment-only namesake debut
-
‘They gave me carte blanche to do what I want’: Paul Kooiker photographs the students of Gerrit Rietveld Academie for Acne Studios
Heralding the launch of a new permanent gallery from fashion label Acne Studios, the celebrated Dutch photographer’s new body of work praises the bravery of ‘people who choose to go to an art school at a time like this’
-
‘I’m surprised that I got this far’: Rick Owens on his bombastic Paris retrospective, ‘Temple of Love’
The Dark Prince of Fashion sits down with Wallpaper* to discuss legacy, love, and growing old in Paris as a display at the Palais Galliera tells the story of his subversive career
-
The standout shows of Paris Fashion Week Men’s S/S 2026: Hermès to Craig Green
Wallpaper* picks the very best of Paris Fashion Week Men’s S/S 2026, from Véronique Nichanian’s portrait of summer in the city for Hermès to Craig Green’s return to the Paris runway