Scene setting: Traffic was more complicated than usual in Paris on saturday morning, with the Gilets Jaunes demonstrating at the Place de l’Etoile. But down the road, on Avenue de Friedland, it was a different event causing traffic jams: it’s been ten years since Joseph Altuzarra presented his very first collection to the public, and today he was celebrating with a show in the gilded salons of the Hôtel Potocki. The decade has been good to the French-born New York-based designer, who has risen from being Carine Roitfeld’s young protégé to a solid independent business, known best for his working girl-worthy luxurious collections.
Best in show: This time, though, instead of work, it was all about play, and very naughty play at that. The designer has been inspired by the work of Robert Mapplethorpe and the fetishisation of leather, harnesses and biker gear. Throw a good dose of old-time glamour in the mix and the result is a collection oozing sensuality and excess, where satin wrap skirts, thigh high boots and asymmetrical draped dresses are paired with oversized shearling-lined aviator jackets and fringed leather coats, and where a selection of intarsia woollen sweaters gave way to a series of golden lamé pleated numbers. ‘I love lamé’, explained Joseph Altuzarra backstage, adding: ‘I’ve been spending more time in Paris lately than I used to in the past few years, I think it’s starting to show in my collections’. Europe is undoubtedly having a good effect on him.
Finishing touches: ‘The Play bag is pretty much a homage to Mapplethorpe’, said the designer after the show, talking about a brand new gondola-shaped bag decorated with leather buckles on the sides. In a collection rich with new accessories (from the ultra-desirable suede boots to a little fringed bag that, backstage, French documentary-maker Loïc Prigent defined as a ‘very chic milk can’), the Play stood out for its versatility. ‘It was also inspired by bikers, which is why I conceived it to be as practical as possible: you can wear it in the hand or on the shoulder, and the side buckles can all be opened to make the bag almost twice as big.’ That’s the kind of functional chic his clients are sure to applaud.
Altuzarra A/W 2019.
Altuzarra A/W 2019.
Altuzarra A/W 2019.
Altuzarra A/W 2019.
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In Shanghai, Hermès conjures a ‘cosmopolitan explorer’ for its one-off show on the Huangpu RiverNadège Vanhée, artistic director of Hermès’ womenswear collections, presented ‘The Second Chapter’ of her A/W 2025 collection earlier this evening (13 June 2025) against the futuristic skyline of Shanghai
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What did Christian Dior’s favourite ‘invisible’ flower smell like?Dior’s Francis Kurkdijan recreates the scent of a rare lily of the valley species in Le Muguet, the first olfactory chapter of new perfume collection Les Récoltes Majeures
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How an 18th-century mansion became a Loewe wonderland for Paris Fashion WeekDrawing on the act of scrapbooking, Jonathan Anderson took over the Hôtel de Maisons with a self-reflective A/W 2025 presentation, shown alongside colourful artworks from the brand’s collection
