Mood board: Peter Dundas pushed the rewind button at the House of Cavalli this season, boldly returning to the female glamour sticks he so dearly loves. Gone was the hard core 1980s of last season and in its place a new take on decadence. He referenced the Art Nouveau period in his press notes but all we saw here was backstage at a Hendrix concert as Dundas unleashed his fashion urges through his preferred era of the louche, lean 1970s.
Best in show: Without a doubt, Dundas’ outerwear won the award for best in show. In particular, the opening intarsia fur cape that was inlaid like a giant Moroccan tile floor and an embroidered velvet poncho had all of the romanticism and sophistication that lies under the surface of the willful Cavalli woman.
Finishing touches: Most of the women in this show were so skinny that they appeared as giant gilded grasshoppers hoisted atop platform shoes. The long wooly scarves that trailed the ground enhanced this ultra thin look.
INFORMATION
Photography: Jason Lloyd-Evans
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Dine within a rationalist design gem at the newly opened Cucina TriennaleCucina Triennale is the latest space to open at Triennale Milano, a restaurant and a café by Luca Cipelletti and Unifor, inspired by the building's 1930s design
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The collections you might have missed this S/S 2026 menswear seasonBetween the headliners in Paris, Milan and Florence, a few off-schedule displays are deserving of honourable mention – from Martine Rose’s sexually-charged portrait of Kensington Market to Sander Lak’s appointment-only namesake debut
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Meet artist Michael McGregor, using hotel stationery as his canvasMichael McGregor unveils an exclusive postcard set made with notepads from The Luxury Collection properties in Minneapolis, San Francisco and Savannah
