Margaret Howell A/W 2015

Mood board: Tone-on-tone fine wool and tweed silhouettes in whites, greys, khakis and burgundy, combined with low cut patent leather Chelsea boots worn with socks. A calm and composed collection, where androgynous models strolled leisurely past in wide legged slouchy pants and mid-calf length wrap skirts, leather skirts and shearling vests, all images of practicality and warmth.
Scene setting: The grey concrete Rambert Dance Company building on the South Bank - minimalist and austere - matched Margaret Howell's characteristically classic colour palette and cuts. Quite unexpected was the soundtrack: light-hearted songs, like disco ballads - we'd almost think the reserved Howell woman was pondering love.
Finishing touches: Further softening the looks was the hair: there were romantically tousled locks by Anthony Turner, who opted for slightly puffed up knots with tufts of hair escaping. Fine, near-invisible, double hairbands added some restraint.
Photography: Jason Lloyd-Evans
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Siska Lyssens has contributed to Wallpaper* since 2014, covering design in all its forms – from interiors to architecture and fashion. Now living in the U.S. after spending almost a decade in London, the Belgian journalist puts her creative branding cap on for various clients when not contributing to Wallpaper* or T Magazine.
-
Frances Elkins gets her dues at Christie's this June
You can soon take home a piece of the legendary American designer’s legacy…including a $3 million Alberto Giacometti sculpture.
By Anna Fixsen
-
The new Phone 2 Pro from CMF combines generous scale with true affordability
We explore the ins and outs of the CMF Phone 2 Pro, the newest device from the Nothing sub-brand that focuses on bold design and carefully honed value engineering
By Jonathan Bell
-
‘I’ve considered every single detail’: how Victoria Beckham designed the perfect make-up brush collection
Victoria Beckham speaks to Wallpaper* about the meticulous design process behind her debut collection of make-up brushes, which perfectly treads a line between form and function
By Hannah Tindle