Mood board: Margaret Howell’s spring show also tuned into an aviation vibe, opening with a series of navy looks that had a 1970s American Airways pilot spirit. Pants came cropped and cuffed, while Irish linen shirts were worn short-sleeved and smartened up with knitted two-tone ties. Shorts were another mainstay, and were teamed back with cardigans and white vests, all of which were tucked in with military precision.
Scene setting: Howell nearly always shows her collections within her white-washed Wigmore Street store space, so the soundtrack is elemental in setting the scene. This season music collaborator Paul Thomas sampled a softer, female vocalist version of the Eagles’ Hotel California, which cemented the presentation’s relaxed, West Coast feel.
Team work: When you unpack a Howell collection you are left with a lot of her signature pieces in new hues and materials. Enter stylist Beat Bolliger who remixed a fresh retro vibe for the separates based collection. Belts are always key to the mix at a Margaret Howell show, but there was an awful lot of tucking in this season – chunky knitted vests and cardigans included. At street level, the season’s boxer shorts and ankle-cropped pants also reinforced Bolliger’s somewhat controversial white leather lace-ups and dark sock pairing.
INFORMATION
Photography: Jason Lloyd-Evans
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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New short film takes you behind the scenes at Margaret HowellA Working Space provides a behind-the-scenes look at 34 Wigmore Street, Margaret Howell’s London headquarters, which celebrates its 20th anniversary this year
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Margaret Howell London Fashion Week Women's S/S 2019 -
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