High style: Bisazza unveils monumental new Chelsea flagship
Should you have thought New York’s Chelsea neighbourhood couldn’t possibly accommodate another fancy new resident, think again. After 12 years of being a fixture of Soho’s Greene Street, the Italian luxury brand Bisazza has uprooted its Manhattan showroom to join Chelsea’s plethora of designer residences and art galleries scattered along the High Line, and claim a piece of the district’s Hudson River view as its own.
Originally built as a sales office for the luxury condominium 500 West 21st Street, a 32-unit building designed by Kohn Pederson Fox one block away, Bisazza’s new home articulates the creative nature of its environs.
A glass-clad steel structure, the restrained two-storey building serves as an industrial backdrop for Bisazza’s vibrant tile collections. A double-height glazed facade means that the space is drenched in natural light, while soaring ceilings bestow it with a serene, gallery-like quality. ‘We needed a larger space to present all our new collections,’ explains Rossella Bisazza, director of communications and ambassador for the company that her father established back in 1956. ‘It was quite a long process, but we finally found a space that was just perfect for our needs. The Chelsea area is so dynamic and stimulating, and the fact that we are so close to the High Line is a plus.’
The 400 sq m Chelsea showroom is a glamorous fusion of contemporary architecture and Italian classicism. Designed with the help of architect Carlo Dal Bianco, who has collaborated with the mosaic tile specialist on its showrooms, corporate HQ, and eponymous art and design foundation in Vicenza, Italy, Bisazza’s New York flagship uses classical libraries from the Italian Renaissance as its primary design inspiration.
Elegant black-and-white wall partitions lined with traditional cornicing not only divide the building’s single volume into a series of separate spaces, but also act as a display for the brand’s bold, artistic offerings.
‘The space differs from all other Bisazza stores because of its monumentality,’ explains Bisazza. ‘Thanks to the exceptional height, it was possible to design our first double-height Bisazza library to fully present our collections. With its strong structure and personality, the library contains the explosion of colours that are present in Bisazza’s mosaic patterns.’
Ornate chandeliers hang over a central aisle created by the library’s walls, and stand in proud contrast to the exposed industrial pipes and vents that have been retained in the loft-like space. A large portion of the glass facade can be raised to expose the store to its surroundings – perfect for fair-weather soirées, including the space’s official opening during New York Design Week in May.
As visitors walk through the showroom, they are greeted by a succession of evocative vignettes. ‘The concept consists of a series of living environments, where all mosaic decorations, our furniture and bathroom collections are displayed,’ says Bisazza. From Jaime Hayon’s seductive bathroom collection, set against panels of the brand’s ceramic range, to Marcel Wanders’ whimsical mosaic-covered ottomans and tables, holding court by the main entrance, each setting provides a tangible sense of what having a bit of Bisazza in your life could be like. The entryway, which is currently installed with 20 panels of the floral motif ‘Bouquet’, will feature installations that will change seasonally.
New York is the first location to showcase the company’s new Cementiles collection, a take on the cement tiles that typically adorned palazzos and mansions at the turn of the 20th century. Featuring eye-catching designs by Paola Navone and Jaime Hayon, the large matte tiles are a counterpoint to Bisazza’s more lustrous specimens.
The part of Bisazza’s new home that really one-ups its neighbours, however, is its rooftop terrace. It is within spitting distance of the High Line, which rests on an elevated section of a disused railway spur. ‘Our building is the only one with a private, habitable area so close to the High Line,’ enthuses Bisazza. ‘We plan to use it for events and it can accommodate exhibitions.’
Landscaped with neatly manicured lawns and hedges, a monolithic grey slate wall and a stone slab path, the terrace is not dissimilar to the entrance of the Bisazza Foundation. Bisazza explains that the thread connecting all the company’s activities, commercial and cultural, is ‘a passion for design and the collaboration with internationally renowned designers. The Foundation’s activities have promoted Bisazza as a company that produces and promotes culture, not just a product,’ she continues. ‘In regards to the New York showroom, we certainly think that some pieces of the Foundation might be put on display there in the future.’
Bisazza’s sensitive approach has created a unique home that takes heed of Chelsea’s creative and historic facets. We’ll be the first to say, ‘Welcome to the neighbourhood.’
Originally printed in the June 2015 edition of Wallpaper* (W*195)
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