Osman Can Yerebakan
Osman Can Yerebakan is a New York-based art and culture writer. Besides Wallpaper*, his writing has appeared in the Financial Times, GQ UK, The Guardian, Artforum, BOMB, Airmail and numerous other publications. He is in the curatorial committee of the upcoming edition of Future Fair. He was the art and style editor of Forbes 30 Under 30, 2024.
Latest articles by Osman Can Yerebakan
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Why New York's most experimental gallery is in an unassuming walk-up on the BoweryClub Rhubarb, the nomadic project of curator Tony Cox, presents a gritty version of the 'old' downtown. Step inside its latest exhibition
By Osman Can Yerebakan Published
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This enchanting children’s book explores girlhood with a host of gorgeously illustrated nighttime creaturesIn 'Oralee: A Field Guide to a Young Human Who Learns to Glow in the Dark', artist Clare Crespo translates a fascination with owls into a meditation on growing up
By Osman Can Yerebakan Published
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Artist Lauren Drescher’s mythical mermaid prints balance rhythm and reverieThe New Zealand and France-based artist exhibits blue-washed prints of otherworldly aquatic tales in New York
By Osman Can Yerebakan Published
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‘I wanted to create an object that invited you to interact’: Tej Chauhan on his Rado watch designThe Diastar Original, which Rado first released in 1962, has become synonymous with elegant comfort and effortless display of taste. Tej Chauhan reconsiders its signature silhouette and texture on the intersection of innovation and heritage
By Osman Can Yerebakan Published
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Sculptor Woody Othello paints a Miami museum red for a show that ‘almost hugs you’The Miami-born, California-based artist opens his first museum exhibition in his hometown as an experiential journey through life and lifeless objects
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June Leaf’s New York survey captures a life in motionJune Leaf made art in many forms for over seven decades, with an unstoppable energy and fierce appetite leading her to rationalise life in her own terms.
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What to expect from Thaddaeus Ropac’s new Milan galleryA stalwart among European galleries, Thaddaeus Ropac has chosen an 18th-century palazzo for its first venture into Milan
By Osman Can Yerebakan Published
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Central Park’s revitalised Delacorte Theater gears up for a new futureEnnead Architects helmed an ambitious renovation process that has given the New York City cultural landmark a vibrant and more accessible future
By Osman Can Yerebakan Published
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Torkwase Dyson’s set design for ‘Superfine: Tailoring Black Style’ at The Met meditates on ownership, charisma and historiesThe artist’s exhibition design sees her recognisable geometric forms provide the backdrop to the Costume Institute’s extensive survey of the Black dandy, which was celebrated at the Met Gala yesterday (5 May)
By Osman Can Yerebakan Published
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Inside Luna Luna in New York, the amusement park designed by artists‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – that were kept in storage for more than thirty years
By Osman Can Yerebakan Last updated
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Wim Wenders’ photographs of moody Americana capture the themes in the director’s iconic films'Driving without a destination is my greatest passion,' says Wenders. whose new exhibition has opened in New York’s Howard Greenberg Gallery
By Osman Can Yerebakan Published
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Henni Alftan’s paintings frame everyday moments in cinematic renditionsConcurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
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Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American WestThe artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
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‘Denmark’s best-selling designer’ Jens Quistgaard is honoured at 3 Days of DesignForm Portfolios stages an exhibition of work by Jens Quistgaard – an icon of Danish sleekness – continuing its mission to underline less-known work by influential designers
By Osman Can Yerebakan Published
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What to see at Art Basel 2024, as the fair arrives at its hometownArt Basel 2024, the fair of all fairs, runs 13-16 June, with 285 international exhibitors and a long list of side shows and projects
By Osman Can Yerebakan Published
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Frieze New York 2024: what to see in and around the cityFrieze New York 2024 (until Sunday 5 May) sees the city’s ample spring season programming celebrated at The Shed
By Osman Can Yerebakan Published
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Berlinde De Bruyckere’s angels without faces touch down in Venice churchBelgian artist Berlinde De Bruyckere’s recent archangel sculptures occupy the 16th-century white marble Abbazia di San Giorgio Maggiore for the Venice Biennale 2024
By Osman Can Yerebakan Published
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Michèle Lamy explores light and darkness in DubaiMichèle Lamy collaborates with ICD Brookfield Place Arts and Carpenters Workshop Gallery to present 'Chiaroscuro'. a new exhibition at ICD Brookfield Place (until 18 March 2024)
By Osman Can Yerebakan Published
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TEFAF opens its new edition with a trend-defying art and antique fairTEFAF (The European Fine Art Fair) has returned to its original location in Maastricht with a welcoming display of ornate designs for collectors, dealers and art world regulars
By Osman Can Yerebakan Published
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Todd Gray’s sculptural photography collages defy dimension, linearity and narrativeIn Todd Gray’s New York exhibition, he revisits his 40-year archive, fragmented into elaborated frames that open doors for new readings
By Osman Can Yerebakan Published
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Atlanta exhibition sheds new light on Cristóbal Balenciaga’s architectural haute couture‘Cristóbal Balenciaga: Master of Tailoring’ at SCAD FASH Museum in Atlanta provides a fresh look at the couturier’s highly influential archive – including pieces rarely before on show to the public
By Osman Can Yerebakan Published
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The Whiteness of Glass: strength, fragility and exclusion in New YorkAt Corning Museum of Glass, the medium’s problematic trajectory is reflected in a group show
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In LA, Patrick Jackson’s subversive sculptures ooze nostalgia and consumer cultureTimed to Frieze Los Angeles 2023, Patrick Jackson’s uncanny new exhibition 'Liquid Clay' at François Ghebaly’s disused warehouse space probes tactility, architecture and commerce
By Osman Can Yerebakan Published
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Last chance to see: Rashid Johnson’s journey through migration, longing and togetherness in MenorcaWe visited Rashid Johnson’s Brooklyn studio ahead of the artist’s show at Hauser & Wirth Menorca, which contemplates drift – physical and emotional
By Osman Can Yerebakan Published
