War of worlds: Jack Tsai’s intricate culture clashes at The Fine Art Society

colourful painted skulls that are facing towards each other at a tilted angle
’Future Past’ is a new exhibition of the work of Jacky Tsai – opening today at London’s Fine Art Society – in which the artist explores the cultural exchange between East and West. Pictured: Kissers, 2015
(Image credit: Photography courtesy the artist and The Fine Art Society)

Chinese artist and designer Jacky Tsai is probably best known for his work with Alexander McQueen, where he was responsible for (among other things) the the floral skull motif now synonymous with the late designer’s work. Since then, Tsai has continued his work in fashion, and through his own label he has collaborated with brands such as Harvey Nichols, Lane Crawford and Shanghai Tang. It’s in partnership with the latter, China’s biggest luxury brand, that he is now opening his first solo show in London with a brand new body of work at The Fine Art Society.

Having trained in print, fashion and multimedia, today Tsai works with a range of traditional Chinese crafts and techniques dating back 2,000 years. Ancient and dying skills such as wood-engraving, cloisonné, ceramic and su xiu embroidery are all employed in his pieces. Tsai works alongside the often elderly craftsmen, persuading them to employ his ‘non-traditional’ imagery in the hope that it might serve to revitalise their skills and bring them to the attention of a new generation.

Exploring the cultural exchange between Asia and the West, in particular focusing on the connections and disparity between the two through his art, Tsai’s pieces combining Eastern artistry with a Western pop aesthetic. At once comical and energetic, there are some serious political undertones, the pieces borrowing the tropes of 19th century colonial rule as well as of modern-day racial stereotyping.

The show at The Fine Art Society is called 'Future Past', a title which echoes his previous exhibition in Hong Kong, 'East West'. 'I also wanted to show the range of my artwork from the past and into the future.' says Tsai. 'I use a lot of future heroes in my work, with Chinese traditional heroes, who collide into one picture.'

Tsai insists, though, that the famous flowery skull motif was an accident: 'They called the young talent from Central St Martins to do internships at Alexander McQueen. One day McQueen asked me to make a flower skull for him, everyone else had failed to do it for months. So I had a try, and I made that flower skull and that was it. I went back to college, and a year later they printed that skull everywhere and it just became a global phenomenon. Now, it has become a very iconic symbol for McQueen – you see copycats everywhere.'

golden floral human skull art work on a black background

Tsai is well-known for the creation of Alexander McQueen’s iconic flowery skull motif. Pictured: The Sun Rises On The West Gold Leaf Version III, 2015


(Image credit: Photography courtesy the artist and The Fine Art Society)

dark blue floral human skull design on a lighter blue bacground

’Future Past’ has been conceieved in partnership with Shanghai Tang, China’s biggest luxury brand. Pictured: Porcelain Skull, 2014

(Image credit: Photography courtesy the artist and The Fine Art Society)

At once comical and energetic, there are some serious political undertones to Tsai’s work, the pieces borrowing the tropes of 19th century colonial rule as well as of modern-day racial stereotyping. Watch the video above to see Tsai’s intricate creative process in action.

a comical painting depicting life in the 19th century

At once comical and energetic, there are some serious political undertones to Tsai’s work, the pieces borrowing the tropes of 19th century colonial rule as well as of modern-day racial stereotyping. Pictured: The Romance at the Hamptons, 2015

(Image credit: Photography courtesy the artist and The Fine Art Society)

painting of comical chinese heros

’I use a lot of future heroes in my work, with Chinese traditional heroes, who collide into one picture,’ Tsai explains. Pictured: Erotic Dream of the Red Chamber, 2015

(Image credit: Photography courtesy the artist and The Fine Art Society)

3 dimensional art pieces made with wood, sting and paper butterflies to suspend a human like skull in a cube case

Tsai uses a number of ancient crafts in his work, including wood-engraving, cloisonné and su xiu embroidery. Pictured: Open Your Mind Skullpture No. 3, 2015

(Image credit: Photography courtesy the artist and The Fine Art Society)

INFORMATION 

'Future Past' is on view from 18 September – 2 October

Photography courtesy the artist and The Fine Art Society

ADDRESS 

The Fine Art Society
148 New Bond Street
London, W1S 2JT

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