Ikon marks its 50th anniversary with a blockbuster exhibition programme
It may look traditional from the outside, located as it is in a Victorian school building, but Birmingham's Ikon gallery is anything but. As one of the country's pioneering regional galleries, it has played a key role in the career development of many contemporary artists from Cornelia Parker to Dennis Oppenheim. Next year marks its 50th anniversary, and to celebrate, it has a bumper line-up for the year ahead, kicking off with an exhibition by British artist David Tremlett (spanning into the New Year) and calling on some of the artists it holds dear to create new works that will go on show in the gallery's Tower Room throughout 2014.
This week, Tremlett's '3 Drawing Rooms' covers the gallery with his signature site-specific wall drawings and geometric patterns, in situ until April. The installation, made using pastel pigment applied by hand, raises the viewer's awareness of the space surrounding them. His show will be swiftly followed by Kurdish artist Jamal Penjweny's first solo show, who will exhibit film and photography, including his series 'Saddam is Here', which garnered critical acclaim at the 2013 Venice Biennale.
As the gallery's milestone year unfolds, Michel François, Lee Bul, Imran Qureshi, AK Dolven and Nástio Mosquito will all take part in a blockbuster exhibition programme, while 'Ikon 1980s' - a survey of the gallery's activities from 1978-1989 - promises to be a summer highlight. But key to next year's programme is 'Ikon Icons', which will see five previously exhibiting artists from across as many decades return to the gallery to exhibit work, culminating 50 years of the gallery's success.
Birmingham-born photorealist painter John Salt was the first artist to exhibit at Ikon, in 1964, when it occupied a kiosk in the Bull Ring shopping centre. He will kick off the celebrations by representing the 1960s. Salt is followed by Ian Emes, who is best known for his film animations for Pink Floyd during the 1970s. Cornelia Parker, who studied in Wolverhampton, was supported throughout the 1980s by the gallery (which showed her seminal work 'Thirty Pieces of Silver' 1988), making her an apt representative for that decade. Meanwhile, British-Nigerian artist Yinka Shonibare, whose 'Victorian Philanthropist's Parlour' was shown at Ikon in 1996, stands for the 1990s, and Julian Opie represents the millennium.
'Ikon is renowned for its internationalism,' says the gallery director Jonathan Watkins, 'and the 50th anniversary programme will include artists who are just starting to emerge and those from other parts of the world as well as the UK.' At the end of 2014, Ikon will unveil a bronze sculpture by Gillian Wearing sited outside the Library of Birmingham. Entitled 'A Real Birmingham Family', it features two glamorous sisters of Asian ethnicity with their sons. Ikon's 1980s icon, Cornelia Parker says: 'What Jonathan is doing is brilliant. He's doing it before everyone else; bringing it back to Birmingham.'
It may look traditional from the outside, located as it is in a Victorian school building, but Birmingham's Ikon gallery is anything but. As one of the country's pioneering regional galleries, it has played a key role in the career development of many contemporary artists from Cornelia Parker to Dennis Oppenheim.
Ikon was established in 1964 by a group of artists in need of a creative hub. The original locale was in a glass-sided kiosk in the Bull Ring shopping centre in Birmingham. Local photorealist painter John Salt was the first fine artist to exhibit in 1965.
Here, we take a look at the artists being spotlighted in Ikon's future shows...
Jamal Penjweny: A show by the Kurdish artist opens the Ikon 50 exhibition series from 19 February to 21 April 2014. In his first solo show, the emerging artist will exhibit film and photography, including his series 'Saddam is Here', which garnered critical acclaim at the 2013 Venice Biennale. Pictured: 'Saddam is Here', 2010.
Imran Qureshi : Named Deutsche Bank's 2013 'Artist of the Year', the Pakistan-born artist will exhibit at Ikon from 19 November 2014 to 25 January 2015. Regarded as one of the most important contemporary artists of the Subcontinent, he reclaims the deeply rooted discipline of miniature painting and places it in today's context, incorporating his own interpretations and observations on current affairs. Pictured: 'Self-Portrait', 2009.
AK Dolven: The Norwegian artist, whose installation runs from 3 February to 19 April 2015, places her work beside that of nineteenth century painter Peder Balke (1804-1887). She engages with Balke's works, using them as found objects interspersed throughout her own exhibit.
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Nástio Mosquito: The Angolan artist's work stands in stark contrast to Dolven's. Running simultaneously at Ikon, Mosquito's energetic installation uses music, photography, film and performance to comment on our globalised world in an intelligent yet playful manner. Pictured: a still from 'Nástio Answers Gabi', 2003
John Salt: Five artists who have shown throughout Ikon's five decades come together for 'Ikon Icons', an installation culminating 50 years of the gallery's success. Each of the five icons continues a symbiotic relationship with the gallery and has reached success due in part to its support. The first to exhibit is photorealist painter John Salt from 19 February to 21 April 2014. Pictured: 'White Chevy Red Trailer', 1975.
ADDRESS
Ikon
1 Oozells Square
Brindleyplace
Birmingham B1 2HS
Emma O'Kelly is a contributing editor at Wallpaper*. She joined the magazine on issue 4 as news editor and since since then has worked in full and part time roles across many editorial departments. She is a freelance journalist based in London and works for a range of titles from Condé Nast Traveller to The Telegraph. She is currently working on a book about Scandinavian sauna culture and is renovating a mid century house in the Italian Lakes.
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